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000940260 020__ $$a9783319663449
000940260 020__ $$a3319663445
000940260 0247_ $$a10.1007/978-3-319-66344-9$$2doi
000940260 035__ $$aSP(OCoLC)on1086518443
000940260 035__ $$aSP(OCoLC)1086518443
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000940260 049__ $$aISEA
000940260 050_4 $$aPN1993-PN1999
000940260 08204 $$a791.43$$223
000940260 24500 $$aRural Cinema Exhibition and Audiences in a Global Context /$$cedited by Daniela Treveri Gennari, Danielle Hipkins, Catherine O'Rawe.
000940260 264_1 $$aCham :$$bSpringer International Publishing :$$bImprint :$$bPalgrave Macmillan,$$c2018.
000940260 300__ $$a1 online resource (XVII, 368 pages 23 illustrations, 16 illustrations in color.) :$$billustrations
000940260 336__ $$atext$$btxt$$2rdacontent
000940260 337__ $$acomputer$$bc$$2rdamedia
000940260 338__ $$aonline resource$$bcr$$2rdacarrier
000940260 347__ $$atext file$$bPDF$$2rda
000940260 4901_ $$aGlobal Cinema
000940260 5050_ $$a1. Introduction: Rural Cinema Exhibition and Audiences in a Global Context--Not Just a Slower Transition to Modernity -- Part I Space, Place and Cinema-Going Experiences -- 2. The Use of Geographical Categories in Cinema Studies: An Ontological Examination -- 3. Kanda's Grounds and the Ritual Experience of Rural Cinema in Narok -- 4. The Business of 'Wholesome Entertainment': The Mascioli Film Circuit of Northeastern Ontario -- Part II Early Cinema, Itinerant Showmen and the Lure of Modernity -- 5. Spaces In-Between: The Railway and Early Cinema in Rural, Western Canada -- 6. Rurban Outfitters: Cinema and Rural Cultural Development in New Hampshire's North Country, 1896-1917 -- Part III Oral Histories and the Social Experience of Rural Cinema-Going -- 7. Oral Memories of Cinema-Going in Rural Italy of the 1950s -- 8. Belgian Film Culture Beyond the Big City: Cinema-Going in the Provincial and Rural Periphery of Antwerp -- 9. The Social Experience of Going to the Movies in the 1930s-1960s in a Small Texas Border Town: Moviegoing Habits and Memories of Films in Laredo, Texas -- 10. The Social Geography of 'Going Out': Teenagers and Community Cinema in Rural Australia -- Part IV Shaping Cinema Audiences for Educational and Ideological Purposes -- 11. Projecting Modernity: Sol Plaatje's Touring Cinema Exhibition in 1920s South Africa -- 12. Controlling Rural Cinemagoing by Appropriating a Film Format: The Catholic Adventure of 'Pathé-Rural' in Interwar France -- 13. UNESCO, Mobile Cinema, and Rural Audiences: Exhibition Histories and Instrumental Ideologies of the 1940s -- 14. Reconsidering Post-Revolutionary Cultural Change: Rural Film Projection Teams in Shaanxi Province, 1949-1956 -- 15. Silence under the Linden Tree: Rural Cinema-Going in Czechoslovakia in the 1950s and 1960s -- Part V Film Programming Strategies, Exhibition Practices and Reception -- 16. Language and Cultural Nearness: Film Programming Strategies and Audience Preferences in Big Cities and Small Towns in the Netherlands 1934-1936 -- 17. Post-war Thai Cinema: Audiences and Film Style in a Divided Nation -- 18. Youth, Leisure, and Modernity in the film One Summer of Happiness (1951): Exploring the Space of Rural Film Exhibition in Swedish Post-war Cinema -- 19. Cine Centímetro: Memories and Cinemagoing Practices in an MGM Replica Cinema in the Rio de Janeiro Countryside.
000940260 506__ $$aAccess limited to authorized users.
000940260 520__ $$aAlthough it has only been in the last decade that the planet's population balance tipped from a predominantly rural makeup towards an urban one, the field of cinema history has demonstrated a disproportionate skew toward the urban. Within audience studies, however, an increasing number of scholars are turning their attention away from the bright lights of the urban, and towards the less well-lit and infinitely more variegated history of rural cinema-going. Rural Cinema Exhibition and Audiences in A Global Context is the first volume to consider rural cinema-going from a global perspective. It aims to provide a rich and wide-ranging introduction to this growing field, and to further develop some of its key questions. It brings together eighteen international scholars or teams, all representatives of a dynamic, new field. Moving beyond a Western focus is essential for thinking through questions of rural exhibition, distribution and cinema experience, since over the relatively short history of cinema it is the rural that has dominated cinema-goers' lives in much of the developing world. To this end, the volume also innovates by bringing discussions of North American and European ruralities into dialogue with contributions on Kenya, Brazil, China, Thailand, South Africa and Australia.
000940260 650_0 $$aMotion pictures.
000940260 650_0 $$aMotion pictures$$xEuropean influences.
000940260 650_0 $$aMotion pictures, American.
000940260 650_0 $$aMotion pictures$$zUnited States.
000940260 651_0 $$aAfrica.
000940260 651_0 $$aAustralasia.
000940260 7001_ $$aTreveri Gennari, Daniela.,$$eeditor
000940260 7001_ $$aHipkins, Danielle.,$$eeditor
000940260 7001_ $$aO'Rawe, Catherine.,$$eeditor
000940260 77608 $$iPrint version:$$z9783319663432
000940260 830_0 $$aGlobal cinema.
000940260 852__ $$bebk
000940260 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-319-66344-9$$zOnline Access$$91397441.1
000940260 909CO $$ooai:library.usi.edu:940260$$pGLOBAL_SET
000940260 980__ $$aEBOOK
000940260 980__ $$aBIB
000940260 982__ $$aEbook
000940260 983__ $$aOnline
000940260 994__ $$a92$$bISE