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000940285 020__ $$a3319956183
000940285 020__ $$a9783319956183
000940285 035__ $$aSP(OCoLC)on1097118989
000940285 035__ $$aSP(OCoLC)1097118989
000940285 040__ $$aAU@$$beng$$erda$$cAU@$$dOCLCO$$dOCLCF$$dSFB$$dOCLCA
000940285 049__ $$aISEA
000940285 050_4 $$aPR6003.E282$$b.K639 2018
000940285 08204 $$a848.91409$$223
000940285 1001_ $$aKoczy, Daniel,$$eauthor.
000940285 24510 $$aBeckett, Deleuze and performance :$$ba thousand failures and a thousand inventions /$$cDaniel Koczy.
000940285 264_1 $$aCham, Switzerland :$$bSpringer,$$c[2018]
000940285 264_4 $$c©2018.
000940285 300__ $$a1 online resource (244 pages).
000940285 336__ $$atext$$btxt$$2rdacontent
000940285 337__ $$acomputer$$bc$$2rdamedia
000940285 338__ $$aonline resource$$bcr$$2rdacarrier
000940285 4901_ $$aPerformance Philosophy
000940285 504__ $$aIncludes bibliographical references and index.
000940285 5050_ $$a1. Introduction: Theatrical Encounters -- 2. Neither with you nor without you: Performance and Philosophy in Beckett's Non-relational Aesthetics -- 3. A Thousand Failures and A Thousand Inventions: Towards a Method for Performance Philosophy -- 4. Belacquobatics: Deleuze, Affect and Beckett's Affective Athleticism -- 5. Belacquobatic-secrets: Deleuze and the Purgatorial Rebellion of the Beckettian Body -- 6. Pure and Theatrical Optical-Sound Situations: Automation and the Image in Beckett's Play -- 7. A Crystal-Theatre: Suffering for Love -- 8. Conclusion.
000940285 506__ $$aAccess limited to authorized users.
000940285 520__ $$aThis book draws on the theatrical thinking of Samuel Beckett and the philosophy of Gilles Deleuze to propose a method for research undertaken at the borders of performance and philosophy. Exploring how Beckett fabricates encounters with the impossible and the unthinkable in performance, it asks how philosophy can approach what cannot be thought while honouring and preserving its alterity. Employing its method, it creates a series of encounters between aspects of Beckett's theatrical practice and a range of concepts drawn from Deleuze's philosophy. Through the force of these encounters, a new range of concepts is invented. These provide novel ways of thinking affect and the body in performance; the possibility of theatrical automation; and the importance of failure and invention in our attempts to respond to performance encounters. Further, this book includes new approaches to Beckett's later theatrical work and provides an overview of Deleuze's conception of philosophical practice as an ongoing struggle to think with immanence.
000940285 588__ $$aDescription based on print version record.
000940285 60010 $$aBeckett, Samuel,$$d1906-1989$$xCriticism and interpretation.
000940285 60010 $$aDeleuze, Gilles,$$d1925-1995$$xCriticism and interpretation.
000940285 650_0 $$aActing$$xPhilosophy.
000940285 830_0 $$aPerformance philosophy.
000940285 852__ $$bebk
000940285 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-319-95618-3$$zOnline Access$$91397441.1
000940285 909CO $$ooai:library.usi.edu:940285$$pGLOBAL_SET
000940285 980__ $$aEBOOK
000940285 980__ $$aBIB
000940285 982__ $$aEbook
000940285 983__ $$aOnline
000940285 994__ $$a92$$bISE