000940299 000__ 03164cam\a2200565Mi\4500 000940299 001__ 940299 000940299 005__ 20230306152133.0 000940299 006__ m\\\\\o\\d\\\\\\\\ 000940299 007__ cr\un\nnnunnun 000940299 008__ 180917s2018\\\\gw\\\\\\o\\\\\000\0\eng\d 000940299 020__ $$a9783319926971 000940299 020__ $$a3319926977 000940299 020__ $$a9783319926964 000940299 020__ $$a3319926969 000940299 020__ $$a9783319926988 000940299 020__ $$a3319926985 000940299 020__ $$a9783030064945 000940299 020__ $$a3030064948 000940299 0247_ $$a10.1007/978-3-319-92697-1$$2doi 000940299 035__ $$aSP(OCoLC)on1103281210 000940299 035__ $$aSP(OCoLC)1103281210 000940299 040__ $$aVT2$$beng$$epn$$cVT2$$dOCLCO$$dOCLCF$$dADU$$dOCLCQ$$dOCLCO 000940299 043__ $$acl----- 000940299 049__ $$aISEA 000940299 050_4 $$aGN562-GN564 000940299 08204 $$a306.098$$223 000940299 1001_ $$aGarrett, Victoria Lynn. 000940299 24510 $$aPerforming Everyday Life in Argentine Popular Theater, 1890-1934 /$$cby Victoria Lynn Garrett. 000940299 260__ $$aCham :$$bSpringer International Publishing :$$bImprint :$$bPalgrave Macmillan,$$c2018. 000940299 300__ $$a1 online resource (x, 226 pages) :$$billustrations 000940299 336__ $$atext$$btxt$$2rdacontent 000940299 337__ $$acomputer$$bc$$2rdamedia 000940299 338__ $$aonline resource$$bcr$$2rdacarrier 000940299 347__ $$atext file$$bPDF$$2rda 000940299 4901_ $$aNew Directions in Latino American Cultures 000940299 5050_ $$a1. Performing Everyday Life -- 2. Performing Inclusion and Disillusion -- 3. Embodying Modernity -- 4. Modern Families and Degeneration -- 5. Sex, Desire, and Violence -- 6. Criollos, Caudillos, and the Violent State -- 7. Performing Protest. 000940299 506__ $$aAccess limited to authorized users. 000940299 520__ $$aThis book examines the prolific and widely-attended popular theater boom of the género chico criollo in the context of Argentina's modernization. Victoria Lynn Garrett examines how selected plays mediated the impact of economic liberalism, technological changes, new competing and contradictory gender roles, intense labor union activity, and the foreign/nativist dichotomy. Popular theaters served as spaces for cultural agency by portraying conventional and innovative performances of daily life. This dramatic corpus was a critical mass cultural medium that allowed audiences to evaluate the dominant fictions of liberal modernity, to critique Argentina's purportedly democratic culture, and to imagine alternative performances of everyday life in accordance with their realities. Through a fresh look at the relationship among politics, economics, popular culture, and performance in Argentina's modernization period, the book uncovers largely overlooked articulations of popular-class identities and desires for greater inclusion that would drive social and political struggles to this day. 000940299 650_0 $$aEthnology$$zLatin America. 000940299 650_0 $$aTheater$$xHistory. 000940299 650_0 $$aTheater. 000940299 650_0 $$aCulture. 000940299 651_0 $$aLatin America$$xHistory. 000940299 77608 $$iPrint version:$$z9783319926964 000940299 830_0 $$aNew directions in Latino American cultures. 000940299 852__ $$bebk 000940299 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-319-92697-1$$zOnline Access$$91397441.1 000940299 887__ $$aGN562-GN564 000940299 909CO $$ooai:library.usi.edu:940299$$pGLOBAL_SET 000940299 980__ $$aEBOOK 000940299 980__ $$aBIB 000940299 982__ $$aEbook 000940299 983__ $$aOnline 000940299 994__ $$a92$$bISE