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000940346 020__ $$a9783319934792
000940346 020__ $$a3319934791
000940346 0247_ $$a10.1007/978-3-319-93479-2.$$2doi
000940346 035__ $$aSP(OCoLC)on1113392597
000940346 035__ $$aSP(OCoLC)1113392597
000940346 040__ $$aADU$$beng$$cADU$$dOCLCO$$dOCLCF$$dESU$$dCUV$$dOCL
000940346 049__ $$aISEA
000940346 050_4 $$aPN770-PN779
000940346 08204 $$a809.04$$223
000940346 1001_ $$aGould, Thomas,$$eauthor.
000940346 24510 $$aSilence in Modern Literature and Philosophy :$$bBeckett, Barthes, Nancy, Stevens /$$cby Thomas Gould.
000940346 264_1 $$aCham :$$bSpringer International Publishing,$$c2018.
000940346 300__ $$a1 online resource (IX, 199 p. :)$$billustrations.
000940346 336__ $$atext$$btxt$$2rdacontent
000940346 337__ $$acomputer$$bc$$2rdamedia
000940346 338__ $$aonline resource$$bcr$$2rdacarrier
000940346 347__ $$atext file$$bPDF$$2rda
000940346 5050_ $$a1. Introduction -- 2. Apophasis and Reticence -- 3. Broken Silence: Samuel Beckett -- 4. Shared Silence - Jean Luc Nancy with Roland Barthes -- 5. Some Senses of Silence in Wallace Stevens -- 6. Coda: Eloquent Silence.
000940346 506__ $$aAccess limited to authorized users.
000940346 520__ $$aThis book discusses the elusive centrality of silence in modern literature and philosophy, focusing on the writing and theory of Jean-Luc Nancy and Roland Barthes, the prose of Samuel Beckett, and the poetry of Wallace Stevens. It suggests that silence is best understood according to two categories: apophasis and reticence. Apophasis is associated with theology, and relates to a silence of ineffability and transcendence; reticence is associated with phenomenology, and relates to a silence of listenership and speechlessness. In a series of diverse though interrelated readings, the study examines figures of broken silence and silent voice in the prose of Samuel Beckett, the notion of shared silence in Jean-Luc Nancy and Roland Barthes, and ways in which the poetry of Wallace Stevens mounts lyrical negotiations with forms of unsayability and speechlessness.
000940346 650_0 $$aLiterature, Modern$$y20th century.
000940346 650_0 $$aComparative literature.
000940346 650_0 $$aEuropean literature.
000940346 650_0 $$aAmerican literature.
000940346 650_0 $$aAesthetics.
000940346 650_0 $$aLiterature, Modern$$y20th century$$xHistory and criticism.
000940346 77608 $$iPrint version:$$z9783319934785
000940346 852__ $$bebk
000940346 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-319-93479-2$$zOnline Access$$91397441.1
000940346 909CO $$ooai:library.usi.edu:940346$$pGLOBAL_SET
000940346 980__ $$aEBOOK
000940346 980__ $$aBIB
000940346 982__ $$aEbook
000940346 983__ $$aOnline
000940346 994__ $$a92$$bISE