000940350 000__ 02922cam\a2200457Mi\4500 000940350 001__ 940350 000940350 005__ 20230306152136.0 000940350 006__ m\\\\\o\\d\\\\\\\\ 000940350 007__ cr\un\nnnunnun 000940350 008__ 180109s2018\\\\sz\\\\\\o\\\\\000\0\eng\d 000940350 020__ $$a9783319705125 000940350 020__ $$a3319705121 000940350 0247_ $$a10.1007/978-3-319-70512-5.$$2doi 000940350 035__ $$aSP(OCoLC)on1113448666 000940350 035__ $$aSP(OCoLC)1113448666 000940350 040__ $$aADU$$beng$$cADU$$dOCLCO$$dUBY$$dOCLCF$$dESU 000940350 049__ $$aISEA 000940350 050_4 $$aPN760.5-PN769 000940350 08204 $$a809.034$$223 000940350 1001_ $$aStewart, David,$$d1982-$$eauthor. 000940350 24514 $$aThe Form of Poetry in the 1820s and 1830s :$$bA Period of Doubt /$$cby David Stewart. 000940350 264_1 $$aCham :$$bSpringer International Publishing,$$c2018. 000940350 300__ $$a1 online resource (IX, 269 p. :)$$billustrations. 000940350 336__ $$atext$$btxt$$2rdacontent 000940350 337__ $$acomputer$$bc$$2rdamedia 000940350 338__ $$aonline resource$$bcr$$2rdacarrier 000940350 347__ $$atext file$$bPDF$$2rda 000940350 4901_ $$aPalgrave Studies in the Enlightenment, Romanticism and Cultures of Print 000940350 5050_ $$a1:Introduction -- 2: 'The Genius of the Times': Sales, Forms and Periods -- 3: 'Infinite Profit in a Little Book': Ephemerality and the Annuals -- 4: 'A Labyrinth of Difficulties and Distinctions': Landon, Darley, Browning -- 5: 'A Fatal Gift': Formal Apparitions in Hemans and Beddoes -- 6: 'The Proper Pathetic Face': Hunt, Reynolds, Hood, Praed -- 7: 'A Living Doubt': Clare and Hartley -- 8: 'Conclusion': From Byron to Tennyson. 000940350 506__ $$aAccess limited to authorized users. 000940350 520__ $$aThe 1820s and 1830s, the gap between Romanticism and Victorianism, continues to prove a difficulty for scholars. This book explores and recovers a neglected culture of poetry in those years, and it demonstrates that culture was a crucial turning point in literary history. It explores a uniquely wide range of poets, including the poetry of the literary annuals, Letitia Landon, Felicia Hemans, Robert Browning, Samuel Taylor Coleridge, Thomas Hood and John Clare, placing their work in the light of new research into the conditions of the literary market. In turn, it uses that culture to open up wider theoretical issues relating to literary form, book history, print culture, gender and periodisation. The period's doubt about poetry's place in culture and its capacity to last prompted a dazzling range of creative experiments that reimagined the metrical, material and commercial forms of poetry. 000940350 650_0 $$aLiterature. 000940350 650_0 $$aLiterature, Modern$$y19th century. 000940350 650_0 $$aPoetry. 000940350 650_0 $$aBritish literature. 000940350 77608 $$iPrint version:$$z9783319705118 000940350 830_0 $$aPalgrave studies in the Enlightenment, romanticism and cultures of print. 000940350 852__ $$bebk 000940350 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-319-70512-5$$zOnline Access$$91397441.1 000940350 909CO $$ooai:library.usi.edu:940350$$pGLOBAL_SET 000940350 980__ $$aEBOOK 000940350 980__ $$aBIB 000940350 982__ $$aEbook 000940350 983__ $$aOnline 000940350 994__ $$a92$$bISE