000940362 000__ 03730cam\a2200421Mi\4500 000940362 001__ 940362 000940362 005__ 20230306152137.0 000940362 006__ m\\\\\o\\d\\\\\\\\ 000940362 007__ cr\cn\nnnunnun 000940362 008__ 180416s2018\\\\gw\\\\\\o\\\\\000\0\eng\d 000940362 020__ $$a3319749684 000940362 020__ $$a9783319749686 000940362 0247_ $$a10.1007/978-3-319-74968-6$$2doi 000940362 035__ $$aSP(OCoLC)on1125684201 000940362 035__ $$aSP(OCoLC)1125684201 000940362 040__ $$aSFB$$beng$$cSFB$$dOCLCO$$dOCLCF$$dOCLCQ 000940362 049__ $$aISEA 000940362 050_4 $$aPN45-PN57 000940362 08204 $$a820.9$$223 000940362 1001_ $$aShaw, Katy.,$$eauthor 000940362 24510 $$aHauntology :$$bthe Presence of the Past in Twenty-First Century English Literature /$$cby Katy Shaw. 000940362 250__ $$a1st ed. 2018. 000940362 264_1 $$aCham :$$bSpringer International Publishing :$$bImprint :$$bPalgrave Macmillan,$$c2018. 000940362 300__ $$a1 online resource (124 pages) 000940362 336__ $$atext$$btxt$$2rdacontent 000940362 337__ $$acomputer$$bc$$2rdamedia 000940362 338__ $$aonline resource$$bcr$$2rdacarrier 000940362 5050_ $$a1. 'The logic of haunting': Introduction -- 2. "The ghosts in my head, the ghosts on the street': Hauntology and the Novel -- 3. 'The past never dies': Hauntology and Drama -- 4. 'Intertextuality as Haunt': Hauntology and Poetry -- 5. 'I'll be right back': Hauntology and Cotemporary Cinema -- 6. 'Do you ever get the feeling you've been here before?': Sonic Hauntology -- 7. Uncanny Architecture and Post-Industrial Urbex: Hauntology & Architecture -- 8. 'Its happening all over again': Conclusion -- Bibliography. 000940362 506__ $$aAccess limited to authorized users. 000940362 520__ $$aPost-millennial writings function as a useful prism through which we can understand contemporary English culture and its compulsion to revisit the immediate past. The critical practice of hauntology turns to the past in order to make sense of the present, to understand how we got to this place and how to build a better future. Since the Year 2000, popular culture has been inundated with representations of those who occupy a space between being and non-being and defy ontological criteria. This Pivot explores a range of contemporary English literatures - from the poetry of Simon Armitage and the drama of Jez Butterworth, to the fiction of Zadie Smith and the stories of David Peace - that collectively unite to represent a twenty-first century world full of specters, reminiscence and representations of spectral encounters. These specters become visible and significant as they interact with a range of social, political and economic discourses that continue to speak to the contemporary period. The enduring fascination with the spectral offers valuable insights into a contemporary English culture in which spectral manifestations signal towards larger social anxieties as well as to specific historical events and recurrent cultural preoccupations. The specter confronts the contemporary with the necessity of participation, encouraging the realisation that we must engage with it in order to create meaning. Narrative agency is the primary motivating force of its return, and the repetition of the specter functions to highlight new meanings and perspectives. Harnessing hauntology as a lens through which to consider the specters haunting twenty-first century English writings, this Pivot examines the emergence of a vein of hauntological literature that profiles the pervasive presence of the past in our new millennium. 000940362 650_0 $$aLiterature$$xPhilosophy. 000940362 650_0 $$aLiterature, Modern$$y20th century. 000940362 650_0 $$aMovement (Philosophy) 000940362 7760_ $$z3319749676 000940362 852__ $$bebk 000940362 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-319-74968-6$$zOnline Access$$91397441.1 000940362 909CO $$ooai:library.usi.edu:940362$$pGLOBAL_SET 000940362 980__ $$aEBOOK 000940362 980__ $$aBIB 000940362 982__ $$aEbook 000940362 983__ $$aOnline 000940362 994__ $$a92$$bISE