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000940439 019__ $$a1156762786
000940439 020__ $$a9781137404824$$q(electronic book)
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000940439 020__ $$z9781137404817
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000940439 035__ $$aSP(OCoLC)1091688462$$z(OCoLC)1156762786
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000940439 050_4 $$aPR2877-PR2879
000940439 08204 $$a822.33$$223
000940439 1001_ $$aCartelli, Thomas,$$eauthor.
000940439 24510 $$aReenacting Shakespeare in the Shakespeare aftermath :$$bthe intermedial turn and turn to embodiment /$$cThomas Cartelli.
000940439 264_1 $$aBasingstoke, Hampshire :$$bPalgrave Macmillan,$$c2019.
000940439 300__ $$a1 online resource :$$billustrations.
000940439 336__ $$atext$$btxt$$2rdacontent
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000940439 337__ $$acomputer$$bc$$2rdamedia
000940439 338__ $$aonline resource$$bcr$$2rdacarrier
000940439 4900_ $$aReproducing Shakespeare
000940439 506__ $$aAccess limited to authorized users.
000940439 520__ $$aIn the Shakespeare aftermath--where all things Shakespearean are available for reassembly and reenactment--experimental transactions with Shakespeare become consequential events in their own right, informed by technologies of performance and display that defy conventional staging and filmic practices. Reenactment signifies here both an undoing and a redoing, above all a doing differently of what otherwise continues to be enacted as the same. Rooted in the modernist avant-garde, this revisionary approach to models of the past is advanced by theater artists and filmmakers whose number includes Romeo Castellucci, Annie Dorsen, Peter Greenaway, Thomas Ostermeier, Ivo van Hove, and New York's Wooster Group, among others. Although the intermedial turn taken by such artists heralds a virtual future, this book demonstrates that embodiment--in more diverse forms than ever before--continues to exert expressive force in Shakespearean reproduction's turning world.
000940439 588__ $$aCIP data; resource not viewed.
000940439 60010 $$aShakespeare, William,$$d1564-1616$$xDramatic production.
000940439 650_0 $$aLiterature.
000940439 650_0 $$aLiterature, Modern.
000940439 650_0 $$aShakespeare, William, 1564-1616.
000940439 650_0 $$aDrama.
000940439 650_0 $$aTheater.
000940439 77608 $$iPrint version:$$z9781137404817
000940439 852__ $$bebk
000940439 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1057/978-1-137-40482-4$$zOnline Access$$91397441.1
000940439 909CO $$ooai:library.usi.edu:940439$$pGLOBAL_SET
000940439 980__ $$aEBOOK
000940439 980__ $$aBIB
000940439 982__ $$aEbook
000940439 983__ $$aOnline
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