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000940552 019__ $$a1191045439$$a1195461256$$a1196166591$$a1197569299
000940552 020__ $$a9783030514204$$q(electronic book)
000940552 020__ $$a303051420X$$q(electronic book)
000940552 020__ $$z9783030514198
000940552 0247_ $$a10.1007/978-3-030-51
000940552 035__ $$aSP(OCoLC)on1182841204
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000940552 049__ $$aISEA
000940552 050_4 $$aBH39
000940552 08204 $$a111/.85$$223
000940552 1001_ $$aJaparidze, Tamar,$$d1961-
000940552 24514 $$aThe visible, the sublime and the Sensus Communis :$$bKant's theory of perception /$$cTamar Japaridze.
000940552 260__ $$aCham :$$bSpringer,$$c2020.
000940552 300__ $$a1 online resource (90 p.).
000940552 336__ $$atext$$btxt$$2rdacontent
000940552 337__ $$acomputer$$bc$$2rdamedia
000940552 338__ $$aonline resource$$2rdacarrier
000940552 4901_ $$aSpringerBriefs in Philosophy
000940552 504__ $$aIncludes bibliographical references and index.
000940552 5050_ $$aChapter 1. Introduction. The Project of the Third Critique -- Chapter 2.The Sublime Vision. Kants Discovery: a priori Sensibility, Pleasure and Pain and the Sensus Communis -- Chapter 3.The Sublime Vision and Beauty/Parergon -- Chapter 4. Art:the Visible -- Chapter 5.Platonism and the Veil of the Goddess of Nature. A Copy Theory of Art -- Chapter 6.The Illusion of Reality- The Molyneax Debate: Cecity as a Philosophical Insight -- Chapter 7. Magnitudes:the Sublime -- Chapter 8. Dennis Diderot and the Secrete Geometry of the Living: Saundersons Sublime Vision -- Chapter 9. Diderot: An Art Critic; between Honesty and Fidelity.-Chapter 10. The Reception of the Third Critique: German Idealism and Hegel, Heidegger, Arendt, Adorno.
000940552 506__ $$aAccess limited to authorized users.
000940552 520__ $$aThis book argues that Kant develops a theory of perception in the Critique of Judgment from which one can redefine his entire project, viewing and using aesthetics as its backbone, from the transcendental aesthetic of the First Critique to the Critique of Taste in the Third. The author shows us how Kant exonerates the role of faculties that account for such judgments linked by inner senses, inclusive of sensus communis. By re-examining the role of the aesthetic within Kant's critical philosophy, the compelling force of the aesthetic turn is revealed in modern philosophy. The text includes Heideggers, Hegels and Diderot's complex relationship to Kant in this context. This text provides important scholarship for those interested in the Kantian influence on German Idealism, the aesthetic turn in the continental tradition, especially the Frankfurt school, and more generally, those interested in the encounter between philosophy and art in this historical context.
000940552 588__ $$aDescription based on print version record.
000940552 60010 $$aKant, Immanuel,$$d1724-1804.$$tKritik der Urteilskraft.
000940552 650_0 $$aAesthetics.
000940552 77608 $$iPrint version:$$aJaparidze, Tamar$$tThe Visible, the Sublime and the Sensus Communis : Kant's Theory of Perception$$dCham : Springer International Publishing AG,c2020$$z9783030514198
000940552 830_0 $$aSpringerBriefs in philosophy.
000940552 852__ $$bebk
000940552 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-030-51420-4$$zOnline Access$$91397441.1
000940552 909CO $$ooai:library.usi.edu:940552$$pGLOBAL_SET
000940552 980__ $$aEBOOK
000940552 980__ $$aBIB
000940552 982__ $$aEbook
000940552 983__ $$aOnline
000940552 994__ $$a92$$bISE