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000940876 019__ $$a1183955489$$a1184058046$$a1192378071$$a1193271929$$a1195452565$$a1196163497$$a1197569958
000940876 020__ $$a9783030414108$$q(electronic book)
000940876 020__ $$a3030414108$$q(electronic book)
000940876 020__ $$z9783030414092
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000940876 0247_ $$a10.1007/978-3-030-41410-8$$2doi
000940876 0248_ $$a10.1007/978-3-030-41
000940876 035__ $$aSP(OCoLC)on1191060853
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000940876 1001_ $$aMeerzon, Yana.
000940876 24510 $$aPerformance, subjectivity, cosmopolitanism /$$cYana Meerzon.
000940876 264_1 $$aCham, Switzerland :$$bSpringer,$$c[2020]
000940876 300__ $$a1 online resource
000940876 336__ $$atext$$btxt$$2rdacontent
000940876 337__ $$acomputer$$bc$$2rdamedia
000940876 338__ $$aonline resource$$bcr$$2rdacarrier
000940876 5050_ $$a1. Introduction: Setting the Stage -- Performing the Divided Self of a New Cosmopolitanism -- 2. Chapter One: Dramaturgies of the Self: Staging the Décalage of Vernacular Cosmopolitanism -- 3. Chapter Two: 'Speaking in Tongues: Staging Hospitality of (Non)Translation -- 4. Chapter Three: Dramaturgies of the Body: Staging Stranger-Fetishism in a Cosmopolitan Solo Performance -- 5. Chapter Four: Staging Cosmoprolis -- Constructing the Chorus Play -- 6. Chapter Five: Dramaturgies of the Gaze: On the Intimate Realities of Cosmopolitanism -- 7. Chapter Six: Staging Affective Citizenship -- Constructing Communities of Hope -- 8. Chapter Seven: How to Be a Cosmopolitan: Concluding Remarks.
000940876 506__ $$aAccess limited to authorized users.
000940876 520__ $$aThis book looks at the connection between contemporary theatre practices and cosmopolitanism, a philosophical condition of social behaviour based on our responsibility, respect, and healthy curiosity to the other. Advocating for cosmopolitanism has become a necessity in a world defined by global wars, mass migration, and rise of nationalism. Using empathy, affect, and telling personal stories of displacement through embodied encounter between the actor and their audience, performance arts can serve as a training ground for this social behavior. In the centre of this encounter is a new cosmopolitan: a person of divided origins and cultural heritage, someone who speaks many languages and claims different countries as their place of belonging. The book examines how European and North American theatres stage this divided subjectivity: both from within, the way we tell stories about ourselves to others, and from without, through the stories the others tell about us.
000940876 650_0 $$aCosmopolitanism.
000940876 650_0 $$aTheater and society.
000940876 650_0 $$aPopular culture.
000940876 77608 $$iPrint version:$$aMeerzon, Yana$$tPerformance, Subjectivity, Cosmopolitanism$$dCham : Springer International Publishing AG,c2020$$z9783030414092
000940876 852__ $$bebk
000940876 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-030-41410-8$$zOnline Access$$91397441.1
000940876 909CO $$ooai:library.usi.edu:940876$$pGLOBAL_SET
000940876 980__ $$aEBOOK
000940876 980__ $$aBIB
000940876 982__ $$aEbook
000940876 983__ $$aOnline
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