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000940971 020__ $$a9783030385286$$q(electronic book)
000940971 020__ $$a3030385280$$q(electronic book)
000940971 020__ $$z3030385272
000940971 020__ $$z9783030385279
000940971 035__ $$aSP(OCoLC)on1191704424
000940971 035__ $$aSP(OCoLC)1191704424
000940971 040__ $$aYDX$$beng$$cYDX$$dUKMGB
000940971 049__ $$aISEA
000940971 08204 $$a823.8099287$$223
000940971 24500 $$aBritish women's writing from Bront to Bloomsbury :$$b1860s and 1870s.
000940971 260__ $$a[Place of publication not identified]$$bPALGRAVE MACMILLAN,$$c2020.
000940971 300__ $$a1 online resource
000940971 336__ $$atext$$2rdacontent
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000940971 337__ $$acomputer$$2rdamedia
000940971 338__ $$aonline resource$$2rdacarrier
000940971 4900_ $$aBritish Women's Writing from Brontë to Bloomsbury, 1840-1940 ;$$v2
000940971 504__ $$aIncludes bibliographical references and index.
000940971 5050_ $$a1.Introduction; Adrienne E. Gavin and Carolyn W. de la L. Oulton.- 2. A Decade of Experiment: George Eliot in the 1860s; Margaret Harris.- 3. 'Duck him!': Private Feelings, Public Interests, and Ellen Wood's East Lynne; Tara MacDonald.- 4. [Tr]ains of Circumstantial Evidence: Railway 'Monomania' and Investigations of Gender in Lady Audley's Secret; Andrew F. Humphries.- 5. 'There is great need for forgiveness in this world': The Call for Reconciliation in Elizabeth Gaskell's Sylvia's Lovers and A Dark Night's Work; Elizabeth Ludlow.- 6. 'The plain duties which are set before me': Charity, Agency, and Women's Work in the 1860s; Kristine Moruzi.- 7.'[S]mothered under rose-leaves': Violent Sensation and the Location of the Feminine in Eliza Lynn Linton's Sowing the Wind; Carolyn W. de la L. Oulton.- 8. 'Fleshly Inclinations': The Nature of Female Desire in Rhoda Broughton's Early Fiction; Tamar Heller.- 9. Crumbs from the Table: Matilda Betham-Edwards' Comic Writing in Punch; Clare Horrocks and Nickianne Moody.- 10. Transcending Prudence: Charlotte Riddell's 'City Women'; Silvana Colella.- 11. '[M]ute orations, mute rhapsodies, mute discussions': Silence in George Eliot's Last Decade; Fionnuala Dillane.- 12.'His eyes commanded me to come to him': Desire and Mesmerism in Rhoda Broughton's 'The Man with the Nose'; Melissa Purdue.- 13. '[E]mphatically un-literary and middle-classʼ: Undressing Middle-Class Anxieties in Ellen Wood's Johnny Ludlow Stories; Alyson Hunt.- 14. 'Sinecures which could be held by girls': Margaret Oliphant and Women's Labour; Danielle Charette.- 15. 'More like a woman stuck into boy's clothes': Transcendent Femininity in Florence Marryat's Her Father's Name; Catherine Pope.- 16. 'I am writing the life of a horse': Anna Sewell's Black Beauty in the 1870s; Adrienne E. Gavin.- 17. Forging a New Path: Fraud and White-Collar Crime in Mary Elizabeth Braddon's 1870s Fiction; Janine Hatter.
000940971 506__ $$aAccess limited to authorized users.
000940971 650_0 $$aEnglish fiction$$y19th century$$xHistory and criticism.
000940971 650_0 $$aEnglish fiction$$xWomen authors.
000940971 650_0 $$aWomen authors, English$$y19th century.
000940971 77608 $$iPrint version:$$z3030385272$$z9783030385279$$w(OCoLC)1130266860
000940971 852__ $$bebk
000940971 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-030-38528-6$$zOnline Access$$91397441.1
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000940971 980__ $$aEBOOK
000940971 980__ $$aBIB
000940971 982__ $$aEbook
000940971 983__ $$aOnline
000940971 994__ $$a92$$bISE