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000941041 008__ 200904s2020\\\\sz\\\\\\o\\\\\000\0\eng\d
000941041 020__ $$a9783030436681$$q(electronic book)
000941041 020__ $$a3030436683$$q(electronic book)
000941041 020__ $$z9783030436674
000941041 020__ $$z3030436675
000941041 035__ $$aSP(OCoLC)on1192490197
000941041 035__ $$aSP(OCoLC)1192490197
000941041 040__ $$aYDX$$beng$$erda$$cYDX$$dYDXIT$$dUKMGB
000941041 043__ $$an-us---
000941041 049__ $$aISEA
000941041 050_4 $$aPN1995.9.F54$$bA76 2020
000941041 08204 $$a791.43/6550973$$223
000941041 1001_ $$aArnett, Robert,$$eauthor.
000941041 24510 $$aNeo-noir as post-classical Hollywood cinema /$$cRobert Arnett.
000941041 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2020]
000941041 300__ $$a1 online resource
000941041 336__ $$atext$$btxt$$2rdacontent
000941041 337__ $$acomputer$$bc$$2rdamedia
000941041 338__ $$aonline resource$$bcr$$2rdacarrier
000941041 5050_ $$aChapter 1 -- Transition Noir 1960-1970.- Chapter 2 -- Film Noir in the New Hollywood 1969-1979.- Chapter 3 -- Eighties Noir.- Chapter 4 -- Nineties Noir.- Chapter 5 -- Digital Noir.- Chapter 6 -- Nostalgia Noir.- Chapter 7 -- Genre Hybridity on Neo-Noir.- Chapter 8 -- Remakes and Homage.
000941041 506__ $$aAccess limited to authorized users.
000941041 588__ $$aDescription based on online resource; title from digital title page (viewed on September 08, 2020).
000941041 650_0 $$aFilm noir$$zUnited States$$xHistory and criticism.
000941041 77608 $$iPrint version:$$z3030436675$$z9783030436674$$w(OCoLC)1141935453
000941041 852__ $$bebk
000941041 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-030-43668-1$$zOnline Access$$91397441.1
000941041 909CO $$ooai:library.usi.edu:941041$$pGLOBAL_SET
000941041 980__ $$aEBOOK
000941041 980__ $$aBIB
000941041 982__ $$aEbook
000941041 983__ $$aOnline
000941041 994__ $$a92$$bISE