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Intro
Acknowledgments
Contents
Notes on Contributors
Chapter 1: Introduction: Literary Cultures and Twentieth-Century Childhoods
Works Cited
Part I: Framing the Twentieth Century: Spectacle, Self, and Specularity
Chapter 2: Spectacle and Parody: Burlesque Subjectivity in the American Picturebook
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Picturebooks
Criticism and Contexts
Chapter 3: The Self in Twentieth-Century American Children's Literature: A Tale of Two Schemas
The Interpersonal Self in Children's Texts
The Triumph of the Isolated Self
Conclusion: A Swinging Pendulum?

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Chapter 4: A Subjunctive Imagining: June Jordan's Who Look at Me and the Conditions of Black Agency
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Part II: Representations of Childhoods: Questioning or Re-Imposing Received Tropes
Chapter 5: Seeing Red: The Inside Nature of the Queer Outsider in Anne of Green Gables and The Well of Loneliness
Inside Out: Nature and Nerve
Outside In: Representative Women
Works Cited
Chapter 6: New Spaces and New Childhoods: Challenging Assumptions of Normative Childhood in Modernist Children's Literature
Resituating Childhood 'Innocence'

Children's Literature and/or Modernism? Issues of Classification
"They had freed themselves, fighting": Postcolonial Childhood in Popo and Fifina
The World is Round: A Queer Phenomenology of Girlhood
Conclusion
Works Cited
Chapter 7: Modern Family, Modern Colonial Childhoods: Representations of Childhood and the US Military in Colonial School Literature
"Good Will": Revising History
"Luisa's Gift": A Colonial Version of Modern Girlhood
"Tomansín's Company": A Colonial Version of Modern Boyhood
Conclusion
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Chapter 8: Reading for Success: Booker T. Washington's Pursuit of Education in Two Children's Books
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Part III: Identity and Displacement: Narrating History and Culture
Chapter 9: "I remember. Oh, I remember": Traumatic Memory, Agency, and the American Identity of Holocaust Time Travelers
Jane Yolen's The Devil's Arithmetic: Three Ways of Looking at Traumatic Memory
Erasing Holocaust Survivors' Traumatic Memories in the Film Adaptation of The Devil's Arithmetic
The Location of Traumatic Memory in If I Should Die Before I Wake

The American Identity of Holocaust Time Travelers
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Chapter 10: Yoshiko Uchida: Loss, Displacement, and Identity
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Chapter 11: "I Would Not Be a Pilgrim": Examining the Construction of the Muslim Child as an Authentic Witness and a Dynamic Subject in Anita Desai's The Peacock Garden
Zuni as an Authentic Witness
Desai's Narrator and the Creation of Zuni as a Dynamic Subject
The Ethics of Storytelling in The Peacock Garden
Works Cited
Part IV: Children as Culture-Makers: Young People, Agency, and Literary Cultures

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