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000944101 001__ 944101
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000944101 007__ cr\un\nnnunnun
000944101 008__ 201001s2020\\\\sz\\\\\\ob\\\\001\0\eng\d
000944101 020__ $$a3030445879$$q(electronic book)
000944101 020__ $$a9783030445874$$q(electronic book)
000944101 020__ $$z3030445860
000944101 020__ $$z9783030445867
000944101 035__ $$aSP(OCoLC)on1198374691
000944101 035__ $$aSP(OCoLC)1198374691
000944101 040__ $$aYDX$$beng$$erda$$cYDX$$dYDXIT$$dOCLCO$$dN$T
000944101 049__ $$aISEA
000944101 050_4 $$aML3795$$b.A73 2020
000944101 08204 $$a780.23$$223
000944101 1001_ $$aArditi, David,$$d1982-$$eauthor.
000944101 24510 $$aGetting signed :$$brecord contracts, musicians, and power in society /$$cDavid Arditi.
000944101 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2020]
000944101 300__ $$a1 online resource
000944101 336__ $$atext$$btxt$$2rdacontent
000944101 337__ $$acomputer$$bc$$2rdamedia
000944101 338__ $$aonline resource$$bcr$$2rdacarrier
000944101 504__ $$aIncludes bibliographical references and index.
000944101 506__ $$aAccess limited to authorized users.
000944101 588__ $$aDescription based on online resource; title from digital title page (viewed on October 23, 2020).
000944101 650_0 $$aMusic trade$$xSocial aspects.
000944101 77608 $$iPrint version:$$z3030445860$$z9783030445867$$w(OCoLC)1142523827
000944101 852__ $$bebk
000944101 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=https://dx.doi.org/10.1007/978-3-030-44587-4$$zOnline Access
000944101 909CO $$ooai:library.usi.edu:944101$$pGLOBAL_SET
000944101 980__ $$aEBOOK
000944101 980__ $$aBIB
000944101 982__ $$aEbook
000944101 983__ $$aOnline
000944101 994__ $$a92$$bISE