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Chapter 1. Introduction: The Genre of Counterfactual Historical Fiction
Chapter 2: Possible Worlds Theory: History, Approaches, and its Relevance to Counterfactual Historical Fiction
Chapter 3: New Additions to Possible Worlds Theory: Reader Knowledge Worlds, Ontological Superimposition, and Reciprocal Feedback
Chapter 4: Redefining Counterpart Theory and Transworld Identity
Chapter 5: The Complex and Mixed Ontology of Fatherland
Chapter 6: The Dystopian Counterfactual World and Unreliable Narration in The Sound of his Horn
Chapter 7: Multiple Textual Actual Worlds and Contradictions in Making History
Chapter 8: Conclusion and Future Recommendations.

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