000944358 000__ 03023cam\a2200505Ii\4500 000944358 001__ 944358 000944358 005__ 20230306152310.0 000944358 006__ m\\\\\o\\d\\\\\\\\ 000944358 007__ cr\un\nnnunnun 000944358 008__ 201005t20202020sz\a\\\\ob\\\\001\0\eng\d 000944358 019__ $$a1195454611$$a1197761864$$a1197840787$$a1198080029$$a1198396010 000944358 020__ $$a9783030479411$$q(electronic book) 000944358 020__ $$a3030479412$$q(electronic book) 000944358 020__ $$z3030479404 000944358 020__ $$z9783030479404 000944358 0247_ $$a10.1007/978-3-030-47941-1$$2doi 000944358 0247_ $$a10.1007/978-3-030-47 000944358 035__ $$aSP(OCoLC)on1199411692 000944358 035__ $$aSP(OCoLC)1199411692$$z(OCoLC)1195454611$$z(OCoLC)1197761864$$z(OCoLC)1197840787$$z(OCoLC)1198080029$$z(OCoLC)1198396010 000944358 040__ $$aYDX$$beng$$erda$$epn$$cYDX$$dOCLCO$$dGW5XE$$dUKMGB$$dN$T$$dEBLCP$$dLQU$$dEZ9 000944358 043__ $$ae-uk--- 000944358 049__ $$aISEA 000944358 050_4 $$aPN1590.W64$$bB43 2020 000944358 08204 $$a792.702809252$$223 000944358 1001_ $$aBeale, Sam,$$eauthor. 000944358 24514 $$aThe comedy and legacy of music-hall women 1880-1920 :$$bbrazen impudence and boisterous vulgarity /$$cSam Beale. 000944358 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2020] 000944358 264_4 $$c©2020 000944358 300__ $$a1 online resource (xxii, 289 pages ):$$billustrations. 000944358 336__ $$atext$$btxt$$2rdacontent 000944358 337__ $$acomputer$$2rdamedia 000944358 338__ $$aonline resource$$2rdacarrier 000944358 4901_ $$aPalgrave studies in comedy 000944358 504__ $$aIncludes bibliographical references and index. 000944358 506__ $$aAccess limited to authorized users. 000944358 520__ $$aThis book explores the comedy and legacy of women working as performers on the music-hall stage from 1880-1920, and examines the significance of their previously overlooked contributions to British comic traditions. Focusing on the under-researched female 'serio-comic, the study includes six micro-histories detailing the acts of Ada Lundberg, Bessie Bellwood, Maidie Scott, Vesta Victoria, Marie Lloyd and Nellie Wallace. Uniquely for women in the late-nineteenth and early-twentieth centuries, these pioneering performers had public voices. The extent to which their comedy challenged Victorian and Edwardian perceptions of women is revealed through explorations of how they connected with popular audiences while also avoiding censorship. Their use of techniques such as comic irony and stereotyping, self-deprecation, and comic innuendo are considered alongside the work of contemporary stand-up comedians and performance artists including Bridget Christie, Bryony Kimmings, Sara Pascoe, Shazia Mirza and Sarah Silverman. 000944358 588__ $$aDescription based on print version record. 000944358 650_0 $$aWomen comedians$$zGreat Britain$$xHistory$$y19th century. 000944358 650_0 $$aWomen comedians$$zGreat Britain$$xHistory$$y20th century. 000944358 77608 $$iPrint version: $$z3030479404$$z9783030479404$$w(OCoLC)1150961152 000944358 830_0 $$aPalgrave studies in comedy. 000944358 852__ $$bebk 000944358 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=https://dx.doi.org/10.1007/978-3-030-47941-1$$zOnline Access 000944358 909CO $$ooai:library.usi.edu:944358$$pGLOBAL_SET 000944358 980__ $$aEBOOK 000944358 980__ $$aBIB 000944358 982__ $$aEbook 000944358 983__ $$aOnline 000944358 994__ $$a92$$bISE