000944929 000__ 01482cam\a2200397Ki\4500
000944929 001__ 944929
000944929 005__ 20230306152316.0
000944929 006__ m\\\\\o\\d\\\\\\\\
000944929 007__ cr\un\nnnunnun
000944929 008__ 201023s2020\\\\sz\\\\\\o\\\\\000\0\eng\d
000944929 020__ $$a9783030438197$$q(electronic book)
000944929 020__ $$a3030438198$$q(electronic book)
000944929 020__ $$z9783030438180
000944929 020__ $$z303043818X
000944929 035__ $$aSP(OCoLC)on1201298379
000944929 035__ $$aSP(OCoLC)1201298379
000944929 040__ $$aYDX$$beng$$erda$$cYDX$$dYDXIT
000944929 049__ $$aISEA
000944929 050_4 $$aPN1998.3.T37$$bP34 2020
000944929 08204 $$a791.4302/33092$$223
000944929 1001_ $$aPagello, Federico,$$eauthor.
000944929 24510 $$aQuentin Tarantino and film theory :$$baesthetics and dialectics in late postmodernity /$$cFederico Pagello.
000944929 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2020]
000944929 300__ $$a1 online resource
000944929 336__ $$atext$$btxt$$2rdacontent
000944929 337__ $$acomputer$$bc$$2rdamedia
000944929 338__ $$aonline resource$$bcr$$2rdacarrier
000944929 506__ $$aAccess limited to authorized users.
000944929 588__ $$aDescription based on online resource; title from digital title page (viewed on November 04, 2020).
000944929 60010 $$aTarantino, Quentin$$xCriticism and interpretation.
000944929 650_0 $$aPostmodernism.
000944929 77608 $$iPrint version: $$z303043818X$$z9783030438180$$w(OCoLC)1142030111
000944929 852__ $$bebk
000944929 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-030-43819-7$$zOnline Access$$91397441.1
000944929 909CO $$ooai:library.usi.edu:944929$$pGLOBAL_SET
000944929 980__ $$aEBOOK
000944929 980__ $$aBIB
000944929 982__ $$aEbook
000944929 983__ $$aOnline
000944929 994__ $$a92$$bISE