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Intro
Preface
Acknowledgments and Gratitude
Praise for Digital Theatre
Contents
About the Author
List of Figures
1 Introduction
References
Part I Spectacle
2 Scenography
Production Example: Kansas' The Magic Flute
Production Example: Alladeen
Production Example: Wings
Production Example: Threesixty's Peter Pan
Production Example: Robert LePage's Siegfried
References
3 The Theater Building/Place
Portability
Production Example: Studio Z
Site-Specific Performance
Production Example: Talking Birds (Undercurrents)

Production Example: Blind Messengers
Production Example: The 2006 Staging of the Coventry Mystery Plays
Extended Playing Space and Multi-site Performance
Production Example: Outside/In
Production Example: Alice Experiments in Wonderland
Intelligent Spaces
Performance Example: ASU's Intelligent Theatre
Production Example: Kaspar
Production Example: Wonder Dome
References
4 Costuming
Production Example: The Magic Flute
Production Example: GSRT's Making of Americans
Production Example: GSRT's UBU Project
Production Example: Digital Masks

A Brief Word on Implants
References
Part II Acting
5 The Actor (Agency)
The Actor Extended
The Technology: Digitizing Motion
Production Example: L'Universe and the High-Tech Tools of the Clown
Production Examples: Troika Ranch's The Chemical Wedding of Christian Rosenkreutz and Future of Memory
Production Example: The Magic Flute and the Power of Pure Expression
Production Example: The Tempest (the Actor Caged)
References
6 The 'Other' Actor
Digital Puppets
Production Example: Dinosaurus
Production Example: The Magic Flute

Production Example: The Skriker
Production Example: Blue Bloodshot Flowers
The Video Actor
Production Example: Continuous City
Mechanical Actors
Production Example: Baxter, the Robot Actor
The Performance: YOU n.0
Anthropomorphizing
Production Example: Comedia Robotica (Zeeb Zob)
Production Example: Robots in a Midsummer Night's Dream (Non-humanoid Robots)
References
Part III Creative Authority & Authorship
7 Director/Dramaturg (Creative Authority)
Production Examples: The InterPlay Series, Devising/Collaboration in Action

Production Example (1): InterPlay-Hallucinations
Production Example (2): InterPlay-Loose Minds in a Box
Production Example (3): InterPlay-Dancing on the Banks of Packet Creek
Production Example (4): InterPlay-Nel Tempo Di Sogno
Production Example: Elements/Digital Performance Group
Production Example: Re-Membering Harmony
References
8 Writer and Audience (Authorship)
Authorship and Plays Written for the Digital Age
Production Example: Grace Plains
Production Example: Elements-Compass Points
Audience as Author and Participant

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