000945540 000__ 05390cam\a2200397\i\4500
000945540 001__ 945540
000945540 005__ 20210515200629.0
000945540 008__ 190911t20202020enka\\\\\b\\\\001\0\eng\\
000945540 010__ $$a  2019038178
000945540 020__ $$a9781108416993$$q(hardcover)
000945540 020__ $$a1108416993$$q(hardcover)
000945540 020__ $$a9781108404235$$q(paperback)
000945540 020__ $$a1108404235$$q(paperback)
000945540 020__ $$z9781108261067$$q(electronic book)
000945540 035__ $$a(OCoLC)on1122683276
000945540 040__ $$aDLC$$beng$$erda$$cDLC$$dOCLCO$$dOCLCF$$dUKMGB$$dERASA$$dYDX$$dCHVBK$$dOCLCO$$dGUA$$dZLM$$dOCLCQ
000945540 042__ $$apcc
000945540 043__ $$ae-uk-en
000945540 049__ $$aISEA
000945540 05000 $$aPR5841.W8$$bZ756426 2020
000945540 08200 $$a828/.609$$223
000945540 24500 $$aMary Wollstonecraft in context /$$cedited by Nancy E. Johnson and Paul Keen.
000945540 264_1 $$aCambridge, United Kingdom ;$$aNew York, NY :$$bCambridge University Press,$$c2020.
000945540 264_4 $$c©2020
000945540 300__ $$axxxiii, 358 pages :$$billustrations ;$$c24 cm
000945540 336__ $$atext$$btxt$$2rdacontent
000945540 337__ $$aunmediated$$bn$$2rdamedia
000945540 338__ $$avolume$$bnc$$2rdacarrier
000945540 504__ $$aIncludes bibliographical references and index.
000945540 5050_ $$aPart I. Life and Works: Biography / Kate Chisholm - Correspondence / Andrew McInnes -- Family / Julie Carlson -- Joseph Johnson / David Fallon -- Part II. Critical Fortunes: Early critical reception / Nancy E. Johnson -- Nineteenth-century critical reception / Eileen Hunt Botting -- 1970s critical reception / Julie Murray -- Recent critical reception / Eliza O'Brien -- Part III. Historical and Cultural Contexts: Writing the French Revolution / Mary A. Favret -- Radical societies / David O'Shaughnessy -- Radical publishers / Jon Mee -- British conservatism / Paul Keen -- Jacobin reformers / Mary Fairclough -- Liberal reformers / Michelle Levy -- Conservative reformers / Claire Grogan -- French philosophes / Sylvana Tomaselli -- Dissenters / Andrew McKendry -- Jean-Jacques Rousseau / Laura Kirkley -- Edmund Burke / Frans de Bruyn -- William Godwin / Pamela Clemit -- Political theory / Lena Halldenius -- Feminist theory / Jane Moore -- The constitution / Ian Ward -- Property law / Catherine Packham -- Domestic law / Rebecca Probert -- Slavery and abolition / Katie Donington -- The Bluestockings / Betty A. Schellenberg -- Conduct literature / Vivien Jones -- Theories of education / Frances Ferguson -- Sentimentalism and sensibility / Alex Wetmore -- English Jacobin novels / April London -- Anti-Jacobin novels / Gary Kelly -- Children's literature / Andrew O'Malley -- Gothic literature / Michael Gamer -- Travel writing / Pamela Perkins -- History writing / Jonathan Sachs - Periodicals / Jacqueline George - Translations / Alessa Johns.
000945540 520__ $$a"An article that appeared in the April 1797 edition of the Monthly Magazine entitled "On Artificial Taste" offered readers a meditation on two of the most widely noted dimensions of this popular theme: "a taste for rural scenes" and the more "natural" quality of poetry that had been "written in the infancy of society." In some ways, both of these were standard topics, frequently discussed in the literary magazines of the day, though the article addressed them with compelling rigour and clarity, and with a refreshing impatience for empty poses and cultural double standards. It was curious, the author suggested, given people's widely professed love of nature, "how few people seem to contemplate nature with their own eyes. I have 'brushed the dew away' in the morning; but, pacing over the printless grass, I have wondered that, in such delightful situations, the sun was allowed to rise in solitary majesty, whilst my eyes alone hailed its beautifying beams." Having offered a no-nonsense reflection on the state of people's real interest in nature beyond the sort of "romantic kind of declamation" that was so much in vogue, the author moved on to offer a fairly standard list of the age's assumptions: poetry is a "transcript of immediate emotions" transfigured by the effects of those "happy moment[s]" in which the poet is enriched by images "spontaneously bursting on him" without the need for any recourse to "understanding or memory." This account of creativity, like the article's definition of the poet as "a man of strong feelings" giving "us a picture of his mind when he was actually alone, conversing with himself, and marking the impression which nature made on his own heart" seemed to converge with William Wordsworth's ideas about poetry in his Preface to the Lyrical Ballads. Its related insistence on the higher spiritual worth of those moments when the poet worshipped "in a temple not made with hands, and the world seems to contain only the mind that formed and contemplates it" seemed to echo Pysche's declaration of sublime internalization in Keats' ode. Except, of course, that the article was published in April 1797, well ahead of Wordsworth's account in the Preface to the 1800 edition of the Lyrical Ballads and a full generation before Keats's work"--$$cProvided by publisher.
000945540 60010 $$aWollstonecraft, Mary,$$d1759-1797$$xCriticism and interpretation.
000945540 651_0 $$aEngland$$xIntellectual life$$y18th century.
000945540 7001_ $$aJohnson, Nancy E.,$$d1956-$$eeditor.
000945540 7001_ $$aKeen, Paul,$$d1963-$$eeditor.
000945540 77608 $$iOnline version:$$tMary Wollstonecraft in context$$b1.$$dCambridge ; New York, NY : Cambridge University Press, 2019.$$z9781108261067$$w(DLC)  2019038179
000945540 85200 $$bgen$$hPR5841.W8$$iZ756426$$i2020
000945540 909CO $$ooai:library.usi.edu:945540$$pGLOBAL_SET
000945540 980__ $$aBIB
000945540 980__ $$aBOOK