André Bazin's film theory : art, science, religion / Angela Dalle Vacche.
2020
PN1998.3.B39 D35 2020
Formats
| Format | |
|---|---|
| BibTeX | |
| MARCXML | |
| TextMARC | |
| MARC | |
| DublinCore | |
| EndNote | |
| NLM | |
| RefWorks | |
| RIS |
Linked e-resources
Linked Resource
Details
Title
André Bazin's film theory : art, science, religion / Angela Dalle Vacche.
ISBN
9780190067335 (electronic book)
Published
New York, NY : Oxford University Press, 2020.
Language
English
Description
1 online resource (236 pages) : illustrations.
Call Number
PN1998.3.B39 D35 2020
Dewey Decimal Classification
791.43092
Summary
Through metaphors and allusions to art, science, and religion, André Bazin's writings on the cinema explore a simple yet profound question: what is a human? For the famous French film critic, a human is simultaneously a rational animal and an irrational being. Bazin's idea of the cinema is a mind-machine where the ethical implications have priority over aesthetic issues. And in its ability to function as an art form for the masses, cinema is the only medium that can address an audience at the individual and community levels simultaneously - the audience sees the same film, but each individual relates to the narrative in a different way. By arguing that this dissident Catholic's worldview is anti-anthropocentric, Angela Dalle Vacche concludes that André Bazin's idea of the cinema recapitulates the histories of biological evolution and modern technology inside our consciousness.
Note
Through metaphors and allusions to art, science, and religion, André Bazin's writings on the cinema explore a simple yet profound question: what is a human? For the famous French film critic, a human is simultaneously a rational animal and an irrational being. Bazin's idea of the cinema is a mind-machine where the ethical implications have priority over aesthetic issues. And in its ability to function as an art form for the masses, cinema is the only medium that can address an audience at the individual and community levels simultaneously - the audience sees the same film, but each individual relates to the narrative in a different way. By arguing that this dissident Catholic's worldview is anti-anthropocentric, Angela Dalle Vacche concludes that André Bazin's idea of the cinema recapitulates the histories of biological evolution and modern technology inside our consciousness.
Bibliography, etc. Note
Includes bibliographical references and index.
Access Note
Access limited to authorized users.
Source of Description
Description based on online resource; title from home page (viewed on November 4, 2020).
Series
Oxford scholarship online.
Available in Other Form
Print version: 9780190067298
Linked Resources
Record Appears in