Introduction: why did philosophy go to the movies?
The analytic-cognitivist turn. The empire strikes back: critiques of "grand theory"
The rules of the game: new ontologies of film
Adaptation: philosophical approaches to narrative
From cognitivism to film-philosophy. A.I.: cognitivism goes to the movies
Bande à part: Deleuze and Cavell as film-philosophers
Scenes from a marriage: film as philosophy
Cinematic thinking. Hollywood in trouble: David Lynch's Inland empire
"Chaos reigns": anti-cognitivism in Lars von trier's Antichrist
Song of the earth: cinematic romanticism in Malick's The new world
Coda: "the six most beautiful minutes in the history of cinema".