000958804 000__ 06647cam\a2200565Mi\4500 000958804 001__ 958804 000958804 005__ 20230306152619.0 000958804 006__ m\\\\\o\\d\\\\\\\\ 000958804 007__ cr\un\nnnunnun 000958804 008__ 170112t20162016sz\a\\\\ob\\\\001\0\eng\d 000958804 019__ $$a962750826$$a962831983$$a972597520$$a1005837575$$a1047539542$$a1048138724 000958804 020__ $$a9783319410036$$q(electronic book) 000958804 020__ $$a3319410032$$q(electronic book) 000958804 020__ $$z3319410024 000958804 020__ $$z9783319410029 000958804 035__ $$aSP(OCoLC)ocn968563939 000958804 035__ $$aSP(OCoLC)968563939$$z(OCoLC)962750826$$z(OCoLC)962831983$$z(OCoLC)972597520$$z(OCoLC)1005837575$$z(OCoLC)1047539542$$z(OCoLC)1048138724 000958804 040__ $$aYDX$$beng$$erda$$epn$$cYDX$$dN$T$$dEBLCP$$dIDB$$dOCLCF$$dOCLCO$$dCOO$$dSFB$$dAZU$$dOCLCA$$dVT2$$dMERUC$$dKSU$$dEZ9$$dSNK$$dCUY$$dESU$$dOCLCQ$$dOCLCO$$dOCLCQ$$dUKAHL$$dOCLCQ$$dSRU$$dOCL 000958804 043__ $$aa-cc--- 000958804 049__ $$aISEA 000958804 050_4 $$aPR5368.C47$$bL55 2016 000958804 08204 $$a822.912$$223 000958804 1001_ $$aLi, Kay,$$eauthor. 000958804 24510 $$aBernard Shaw's bridges to Chinese culture /$$cKay Li. 000958804 264_1 $$a[Cham, Switzerland] :$$bPalgrave Macmillan,$$c[2016] 000958804 264_4 $$c©2016 000958804 300__ $$a1 online resource (xvii, 215 pages) :$$billustrations 000958804 336__ $$atext$$btxt$$2rdacontent 000958804 337__ $$acomputer$$bc$$2rdamedia 000958804 338__ $$aonline resource$$bcr$$2rdacarrier 000958804 4901_ $$aBernard Shaw and his Contemporaries 000958804 504__ $$aIncludes bibliographical references and index. 000958804 5050_ $$aForeword; Acknowledgments; Contents; Abbreviations; List of Figures; Chapter 1: Introduction: Seeing and Being Seen from Chinese Angles; Shaw from a Chinese Angle; Duality of the Chinese Angle; Significance of the Chinese Angle; Shaw and His Contemporaries: Seeing and Being Seen from Chinese Angles; Notes; Part I: Shaw and His Contemporaries: The Chinese Angle as Culturally Specific; Chapter 2: Seeing China: Shaw and His Contemporaries; Chinese Angles Seen from Chinese and Western Perspectives; Shavian Iconoclastic Uses of Chinese Angles; Chinese Angles behind Confucius in Back to Methuselah. 000958804 5058_ $$aChinese Angles as Alternatives to the WestJohn Dewey and Bertrand Russell; Shaw and the Bloomsbury Vision of China; Chinese Angles as Multiple and Inclusive; Notes; Chapter 3: Shaw and the Last Chinese Emperor, Henry Pu-yi Aisin-Gioro; The Chinese Angle Defined by the Chinese; Joan and the Dauphin, Johnston and Pu-yi; Pu-yi as Joan; Pu-yi and Shaw; Sinicization and Westernization; How Powerful Is the Chinese Angle?; Shaw and Dickens; Cultural Politics behind the Chinese Angles; Notes; Chapter 4: Mrs. Warren's Profession and Transnational Chinese Feminism. 000958804 5058_ $$aMrs. Warren Under the Lens of Chinese FeminismSoong Ching-ling and Bernard Shaw; Mrs. Warren and Its Chinese Audience; Building Chinese Feminism Through Realistic Films or Plays; Shavian Women in Chinese Martial Arts; Mrs. Warren and Transnational Chinese Feminism; Notes; Chapter 5: Sir Robert Ho Tung and Idlewild in Buoyant Billions; Visualization; "Money": What the Rotary Club of Hong Kong Saw in Shaw; "Know": Speech at the University of Hong Kong; "Must": Meeting Sir Robert Ho Tung; Shaw's Chinese Angles and Buoyant Billions; Notes. 000958804 5058_ $$aPart II: The Contemporaries of Shaw's Works: Chinese Angles as Multi-focalChapter 6: John Woo's My Fair Gentleman and the Evolution of Pygmalion in Contemporary China; My Fair Gentleman and the Official Chinese Angle; Focus on Shanghai: Marketing in the Metropolis; The Significance of My Fair Gentleman; A Hollywood Crew; A Romantic Comedy Played by a Stellar Cast; The Socio-Economic Angle: The Rise of Entrepreneurial Peasants; The New Chinese Angle: The Rise of the Market Economy; The Chinese Angle Tests Shaw's Play: Life Force and Creative Evolution. 000958804 5058_ $$aThe Final Tableau: The Chinese Angle Shared by the Common PeopleContemporary Chinese Angles: Woo's Pygmalion Effect in Other Films; The Official Chinese Angle: "Up, China"; Notes; Chapter 7: Chinese Film Adaptations of Shaw's Plays; Adaptation and Globalization: Cao Yu's Thunderstorm and Zhang Yimou's Curse of the Golden Flower; Adapting Western Literature to the Chinese Screen: Shakespeare's Hamlet and Xiaogang Feng's The Banquet; Adapting a Chinese Martial Arts Novel to the Global Screen: Wo Hu Cang Long (Crouching Tiger, Hidden Dragon). 000958804 506__ $$aAccess limited to authorized users. 000958804 520__ $$a"Kay Li's study of Bernard Shaw's relationship with a number of leading Chinese figures and the assimilation of his plays into Chinese culture is a significant addition to her important previous work on Shaw and China. This new book expertly situates Shaw in wide-ranging spheres of Chinese culture, while also demonstrating the complexities of cross-cultural literary relations. It is a major contribution not just to Shaw studies but to interdisciplinary approaches to cultural dialogue."--Leaf W. Conolly, Fellow of the Royal Society of Canada, Emeritus Professor of English, Trent University, Ontario, Canada and Honorary Fellow, Robinson College, University of Cambridge, UK This book explores the cultural bridges connecting George Bernard Shaw and his contemporaries, such as Charles Dickens and Arthur Miller, to China. Analyzing readings, adaptations, and connections of Shaw in China through the lens of Chinese culture, Li details the negotiations between the focused and culturally specific standpoints of eastern and western culture while also investigating the simultaneously diffused, multi-focal, and comprehensive perspectives that create strategic moments that favor cross-cultural readings. With sources ranging from Shaw's connections with his contemporaries in China to contemporary Chinese films and interpretations of Shaw in the digital space, Li relates the global impact of not only what Chinese lenses can reveal about Shaw's world, but how intercultural and interdisciplinary readings can shed new light on familiar and obscure works alike. 000958804 588__ $$aDescription based on print version record. 000958804 60010 $$aShaw, Bernard,$$d1856-1950$$xKnowledge$$zChina. 000958804 60010 $$aShaw, Bernard,$$d1856-1950$$xAppreciation$$zChina. 000958804 650_0 $$aTheater$$zChina$$xHistory$$y20th century. 000958804 651_0 $$aChina$$xCivilization$$xWestern influences. 000958804 77608 $$iPrint version:$$aLi, Kay.$$tBernard Shaw's bridges to Chinese culture.$$d[Cham, Switzerland] : Palgrave Macmillan, [2016]$$z3319410024$$z9783319410029$$w(OCoLC)950635977 000958804 830_0 $$aBernard Shaw and his contemporaries. 000958804 852__ $$bebk 000958804 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-319-41003-6$$zOnline Access$$91397441.1 000958804 909CO $$ooai:library.usi.edu:958804$$pGLOBAL_SET 000958804 980__ $$aEBOOK 000958804 980__ $$aBIB 000958804 982__ $$aEbook 000958804 983__ $$aOnline 000958804 994__ $$a92$$bISE