000958848 000__ 03320cam\a2200541Ii\4500 000958848 001__ 958848 000958848 005__ 20230306152622.0 000958848 006__ m\\\\\o\\d\\\\\\\\ 000958848 007__ cr\un\nnnunnun 000958848 008__ 201115s2020\\\\sz\a\\\\o\\\\\001\0\eng\d 000958848 019__ $$a1225551368$$a1228526341 000958848 020__ $$a9783030509323$$q(electronic book) 000958848 020__ $$a303050932X$$q(electronic book) 000958848 020__ $$z3030509311 000958848 020__ $$z9783030509316 000958848 0247_ $$a10.1007/978-3-030-50932-3$$2doi 000958848 035__ $$aSP(OCoLC)on1220827863 000958848 035__ $$aSP(OCoLC)1220827863$$z(OCoLC)1225551368$$z(OCoLC)1228526341 000958848 040__ $$aYDX$$beng$$erda$$cYDX$$dUKMGB$$dOCLCO$$dGW5XE$$dVT2$$dEBLCP$$dOCLCO$$dN$T$$dOCLCF 000958848 043__ $$ae-gx--- 000958848 049__ $$aISEA 000958848 050_4 $$aD804.175.B47 000958848 050_4 $$aN6490 000958848 08204 $$a940.5318640943155$$223 000958848 1001_ $$aCallaghan, Mark,$$eauthor. 000958848 24510 $$aEmpathetic memorials :$$bthe other designs for the Berlin Holocaust Memorial /$$cMark Callaghan. 000958848 264_1 $$aCham :$$bPalgrave Macmillan,$$c2020. 000958848 300__ $$a1 online resource :$$billustrations. 000958848 336__ $$atext$$btxt$$2rdacontent 000958848 337__ $$acomputer$$bc$$2rdamedia 000958848 338__ $$aonline resource$$bcr$$2rdacarrier 000958848 4901_ $$aPalgrave Macmillan memory studies 000958848 500__ $$aIncludes index. 000958848 5050_ $$a1. Introduction -- 2. Who is the the memorial for? -- 3. Issues of representation -- 4. Different ways of understanding individual victims: names, photographs and the void -- 5. Designs that attempt to resist the completion of memory -- 6. Conclusion. 000958848 506__ $$aAccess limited to authorized users. 000958848 520__ $$aThis book is a study of the Berlin Holocaust Memorial Competitions of the 1990s, with a focus on designs that kindle empathetic responses. Through analysis of provocative designs, the book engages with issues of empathy, secondary witnessing, and depictions of concentration camp iconography. It explores the relationship between empathy and cultural memory when representations of suffering are notably absent. The book submits that one design represents the idea of an uncanny memorial, and also pays attention to viewer co-authorship in counter-monuments. Analysis of counter-monuments also include their creative engagement with German history and their determination to defy fascist aesthetics. As the winning design for The Memorial to the Murdered Jews of Europe is abstract with an information centre, there is an exploration of the memorial museum. Callaghan asks whether this configuration is intended to compensate for the abstract memorials ambiguity or to complement the designs visceral potential. Other debates explored concern political memory, national memory, and the controversy of dedicating the memorial exclusively to murdered Jews. 000958848 650_0 $$aHolocaust memorials$$zGermany$$zBerlin$$vCase studies. 000958848 650_0 $$aHolocaust memorials$$zGermany$$zBerlin$$xPlanning. 000958848 650_0 $$aHolocaust memorials$$xSocial aspects. 000958848 650_0 $$aCollective memory. 000958848 650_0 $$aEmpathy. 000958848 650_0 $$aSocial psychology. 000958848 77608 $$iPrint version:$$z3030509311$$z9783030509316$$w(OCoLC)1155327946 000958848 830_0 $$aPalgrave Macmillan memory studies. 000958848 852__ $$bebk 000958848 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-030-50932-3$$zOnline Access$$91397441.1 000958848 909CO $$ooai:library.usi.edu:958848$$pGLOBAL_SET 000958848 980__ $$aEBOOK 000958848 980__ $$aBIB 000958848 982__ $$aEbook 000958848 983__ $$aOnline 000958848 994__ $$a92$$bISE