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Introduction: Gothic and theology
Monstrosity and the problem of evil: A theologico-literary understanding of personhood in Frankenstein and Paradise Lost
'Sinners in the Hands of an Angry God': Gothic revelation and monstrous theology in the Gothic's Calvinist legacy
Gothic writing and political theology: Wuthering Heights and Jane Eyre as theological texts
'Through a Glass Darkly': Reading the Victorian ghost story theologically
The limitations of materialism: Fin-de-siècle Gothic, sin and subjectivity and the insufficiency of degeneration
Conclusion: Through the Gothic castle, back to theology.

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