000959509 000__ 02936nam\a2200481Ki\4500 000959509 001__ 959509 000959509 005__ 20210515204602.0 000959509 006__ m\\\\\o\\d\\\\\\\\ 000959509 007__ cr\cn\nnnunnun 000959509 008__ 201216s2021\\\\enk\\\\\ob\\\\0|1\0\eng\d 000959509 020__ $$a9781350172814$$q(electronic book) 000959509 020__ $$a1350172812$$q(electronic book) 000959509 020__ $$a9781350172791$$q(electronic book) 000959509 020__ $$a1350172790$$q(electronic book) 000959509 020__ $$a9781350172807$$q(electronic book) 000959509 020__ $$a1350172804$$q(electronic book) 000959509 020__ $$z1350172782 000959509 020__ $$z9781350172784 000959509 035__ $$a(NhCcYBP)EBC6459670 000959509 040__ $$aNhCcYBP$$cNhCcYBP 000959509 050_4 $$aPR741$$b.H37 2021 000959509 08204 $$a822/.9209$$223 000959509 1001_ $$aHartl, Anja,$$eauthor. 000959509 24510 $$aBrecht and post-1990s British drama :$$bdialectical theatre today /$$cAnja Hartl. 000959509 264_1 $$aLondon ;$$aNew York, NY :$$bMethuen Drama,$$c2021. 000959509 300__ $$a1 online resource. 000959509 336__ $$atext$$btxt$$2rdacontent 000959509 337__ $$acomputer$$bc$$2rdamedia 000959509 338__ $$aonline resource$$bcr$$2rdacarrier 000959509 4900_ $$aMethuen Drama Engage 000959509 504__ $$aIncludes bibliographical references and index. 000959509 5050_ $$aAcknowledgements Introduction Revisiting Brecht's Dialectical Theatre Rethinking Dialectics via Adorno and Rancir̀ˆe Towards a Post-Brechtian Theatre 1. -- 'In-Yer-Face' Theatre and the Crisis of Dialectics: Mark Ravenhill's Post-Brechtian Drama in Anti-Dialectical Times -- 1.1 -- The Post-Brechtian Parable: Some Explicit Polaroids 1.2 -- Resisting the Banal Dialectic of (Counter-)Terrorism: Shoot/Get Treasure/Repeat 1.3 -- Conclusion -- 2. -- Reimagining Brecht: David Greig's Theatre of Dissensus -- 2.1 -- Appropriating the Imagination in Dunsinane 2.2 -- Interrupting Empathy: The Events 2.3 -- Conclusion -- 3. -- Strategic Naivety: The Dialectic of Sincerity in Andy Smith and Tim Crouch's Work -- 3.1 -- Post-Brechtian Meta-Theatre: all that is solid melts into air 3.2 -- The Limits of Sincerity: The Author 3.3 -- Conclusion -- 4. -- Political Theatre Between Dialectics and Absurdity: Caryl Churchill's Twenty-First-Century Plays -- 4.1 -- Dystopian Negativity: Escaped Alone 4.2 -- Deconstructing the Dialectic: Here We Go 4.3 -- Conclusion -- Conclusion -- Bibliography 000959509 506__ $$aAccess limited to authorized users 000959509 533__ $$aElectronic reproduction.$$bAnn Arbor, MI$$nAvailable via World Wide Web. 000959509 588__ $$aDescription based on online resource; title from digital title page (viewed on February 04, 2021). 000959509 60010 $$aBrecht, Bertolt,$$d1898-1956$$xInfluence. 000959509 650_0 $$aEnglish drama$$y21st century$$xHistory and criticism. 000959509 655_7 $$aElectronic books$$2lsch 000959509 7102_ $$aProQuest (Firm) 000959509 77608 $$iPrint version:$$z1350172782$$z9781350172784 000959509 852__ $$bebk 000959509 85640 $$3GOBI DDA$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=6459670$$zOnline Access 000959509 909CO $$ooai:library.usi.edu:959509$$pGLOBAL_SET 000959509 980__ $$aEBOOK 000959509 980__ $$aBIB 000959509 982__ $$aEbook 000959509 983__ $$aOnline