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000959648 019__ $$a1237404239
000959648 020__ $$a9781137461667$$q(electronic bk.)
000959648 020__ $$a1137461667$$q(electronic bk.)
000959648 020__ $$z1137461659
000959648 020__ $$z9781137461650
000959648 0247_ $$a10.1057/978-1-137-46166-7$$2doi
000959648 035__ $$aSP(OCoLC)on1237307868
000959648 035__ $$aSP(OCoLC)1237307868$$z(OCoLC)1237404239
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000959648 049__ $$aISEA
000959648 050_4 $$aPN1995.9.H53
000959648 08204 $$a791.43/658405318$$223
000959648 1001_ $$aMroz, Matilda,$$eauthor.
000959648 24510 $$aFraming the Holocaust in Polish aftermath cinema :$$bposthumous materiality and unwanted knowledge /$$cMatilda Mroz.
000959648 264_1 $$aLondon :$$bPalgrave Macmillan,$$c[2020]
000959648 300__ $$a1 online resource.
000959648 336__ $$atext$$btxt$$2rdacontent
000959648 337__ $$acomputer$$bc$$2rdamedia
000959648 338__ $$aonline resource$$bcr$$2rdacarrier
000959648 4901_ $$aPalgrave film studies and philosophy
000959648 504__ $$aIncludes bibliographical references and index.
000959648 5050_ $$a1. Aftermath cinema: unwanted knowledge, unwanted images -- 2. Earth and bone: framing posthumous materialities -- 3. Posthumous landscapes and the earth-archive: archaeology, ethics and Birthplace -- 4. Aftermaths cinematic seance: anamorphosis, spectrality, and sentient matter -- 5. The fabric with its rend: framing grief, materialising loss, and Idas temporalities -- 6. A film found on a scrapheap: abjection, informe, and It Looks Pretty From A Distance .
000959648 506__ $$aAccess limited to authorized users.
000959648 520__ $$aThis book offers a unique perspective on contemporary Polish cinemas engagement with histories of Polish violence against their Jewish neighbours during the Holocaust. Moving beyond conventional studies of historical representation on screen, the book considers how cinema reframes the unwanted knowledge of violence in its aftermaths. The book draws on Derridean hauntology, Didi-Hubermans confrontations with art images, Levinasian ethics and anamorphosis to examine cinematic reconfigurations of histories and memories that are vulnerable to evasion and formlessness. Innovative analyses of Birthplace (ozinski, 1992), It Looks Pretty From a Distance (Sasnal, 2011), Aftermath (Pasikowski, 2012), and Ida (Pawlikowski, 2013) explore how their rural filmic landscapes are predicated on the radical exclusion of Jewish neighbours, prompting archaeological processes of exhumation. Arguing that the distressing materiality of decomposition disturbs cinematic composition, the book examines how Polands aftermath cinema attempts to recompose itself through form and narrative as it faces Polish complicity in Jewish death.
000959648 588__ $$aOnline resource; title from PDF title page (SpringerLink, viewed March 22, 2021).
000959648 650_0 $$aHolocaust, Jewish (1939-1945), in motion pictures.
000959648 650_0 $$aMotion pictures$$zPoland$$xHistory.
000959648 655_0 $$aElectronic books.
000959648 77608 $$iPrint version: $$z1137461659$$z9781137461650$$w(OCoLC)1176324936
000959648 830_0 $$aPalgrave film studies and philosophy.
000959648 852__ $$bebk
000959648 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1057/978-1-137-46166-7$$zOnline Access$$91397441.1
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000959648 980__ $$aBIB
000959648 982__ $$aEbook
000959648 983__ $$aOnline
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