@article{959658,
      recid = {959658},
      author = {Gopalan, Lalitha,},
      title = {Cinemas dark and slow in digital India /},
      pages = {1 online resource},
      abstract = {This book provides a sustained engagement with  contemporary Indian feature films from outside the  mainstream, including Aaranaya Kaandam, I.D., Kaul, Chauthi  Koot, Cosmic Sex, and Gaali Beeja, to undercut the  dominance of Bollywood focused film studies. Gopalan  assembles films from Bangalore, Chennai, Delhi, Kolkata,  and Trivandrum, in addition to independent productions in  Bombay cinema, as a way of privileging understudied works  that deserve critical attention. The book uses close  readings of films and a deep investigation of film style to  draw attention to the advent of digital technologies while  remaining fully cognizant of the digital as a cryptic  formulation for considering the sea change in the global  circulation of film and finance. This dual focus on both  the techno-material conditions of Indian cinema and the  film narrative offers a fulsome picture of changing  narratives and shifting genres and styles.},
      url = {http://library.usi.edu/record/959658},
      doi = {https://doi.org/10.1007/978-3-030-54096-8},
}