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000959658 020__ $$a9783030540968$$q(electronic bk.)
000959658 020__ $$a3030540960$$q(electronic bk.)
000959658 020__ $$z9783030540951
000959658 020__ $$z3030540952
000959658 0247_ $$a10.1007/978-3-030-54096-8$$2doi
000959658 035__ $$aSP(OCoLC)on1237558382
000959658 035__ $$aSP(OCoLC)1237558382
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000959658 049__ $$aISEA
000959658 050_4 $$aPN1993.5.I8
000959658 08204 $$a791.430954$$223
000959658 1001_ $$aGopalan, Lalitha,$$eauthor.
000959658 24510 $$aCinemas dark and slow in digital India /$$cLalitha Gopalan.
000959658 264_1 $$aBasingstoke :$$bPalgrave Macmillan,$$c[2020]
000959658 300__ $$a1 online resource
000959658 336__ $$atext$$btxt$$2rdacontent
000959658 337__ $$acomputer$$bc$$2rdamedia
000959658 338__ $$aonline resource$$bcr$$2rdacarrier
000959658 504__ $$aIncludes bibliographical references and index.
000959658 5050_ $$aPart One -- 1 .Introduction -- 2 .Minding the Gap: The Arrival of Digital Feature Films -- 3. Slowing Down -- Part Two -- 4. Bombay Noir -- 5. Tamil New Wave -- 6. Road Movie -- 7.Untitled: Amitabh Chakrabortys Cinema.
000959658 506__ $$aAccess limited to authorized users.
000959658 520__ $$aThis book provides a sustained engagement with contemporary Indian feature films from outside the mainstream, including Aaranaya Kaandam, I.D., Kaul, Chauthi Koot, Cosmic Sex, and Gaali Beeja, to undercut the dominance of Bollywood focused film studies. Gopalan assembles films from Bangalore, Chennai, Delhi, Kolkata, and Trivandrum, in addition to independent productions in Bombay cinema, as a way of privileging understudied works that deserve critical attention. The book uses close readings of films and a deep investigation of film style to draw attention to the advent of digital technologies while remaining fully cognizant of the digital as a cryptic formulation for considering the sea change in the global circulation of film and finance. This dual focus on both the techno-material conditions of Indian cinema and the film narrative offers a fulsome picture of changing narratives and shifting genres and styles.
000959658 588__ $$aOnline resource; title from PDF title page (SpringerLink, viewed March 19, 2021).
000959658 650_0 $$aMotion pictures$$zIndia$$xHistory.
000959658 650_0 $$aIndependent films$$zIndia$$xHistory and criticism.
000959658 650_0 $$aCinematography$$zIndia$$xHistory.
000959658 655_7 $$aElectronic books$$2lsch
000959658 77608 $$iPrint version:$$z9783030540951$$z3030540952$$w(OCoLC)1202852336
000959658 852__ $$bebk
000959658 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-030-54096-8$$zOnline Access$$91397441.1
000959658 909CO $$ooai:library.usi.edu:959658$$pGLOBAL_SET
000959658 980__ $$aEBOOK
000959658 980__ $$aBIB
000959658 982__ $$aEbook
000959658 983__ $$aOnline
000959658 994__ $$a92$$bISE