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000959682 020__ $$a9783030424503$$q(electronic bk.)
000959682 020__ $$a3030424502$$q(electronic bk.)
000959682 020__ $$z9783030424497
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000959682 0247_ $$a10.1007/978-3-030-42450-3$$2doi
000959682 0243_ $$a9783030424497
000959682 035__ $$aSP(OCoLC)on1240208825
000959682 035__ $$aSP(OCoLC)1240208825
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000959682 049__ $$aISEA
000959682 050_4 $$aNA6821
000959682 08204 $$a725/.810922$$223
000959682 1001_ $$aToyota, Yasuhisa,$$eauthor.
000959682 24510 $$aConcert halls by Nagata Acoustics :$$bthirty years of acoustical design for music venues and vineyard-style auditoria /$$cYasuhisa Toyota [and 4 others].
000959682 264_1 $$aCham :$$bSpringer,$$c[2020]
000959682 264_4 $$c©2020
000959682 300__ $$a1 online resource
000959682 336__ $$atext$$btxt$$2rdacontent
000959682 337__ $$acomputer$$bc$$2rdamedia
000959682 338__ $$aonline resource$$bcr$$2rdacarrier
000959682 5050_ $$aPart1. Project Anthology -- Chapter1. Suntory Hall -- Chapter2. Kyoto Concert Hall -- Chapter3. Sapporo Concert Hall - Kitara -- Chapter4. Richard B. Fisher Center for the Performing Arts -- Chapter5. Walt Disney Concert Hall -- Chapter6. Muza Kawasaki Symphony Hall -- Chapter7. Mariinsky Concert Hall -- Chapter8. Danish Radio Concert House -- Chapter9. New World Symphony -- Chapter10. Helsinki Music Centre Concert Hall -- Chapter11. Kauffman Center for the Performing Arts: Muriel Kauffman Theatre -- Chapter12. Kauffman Center for the Performing Arts: Helzberg Hall -- Chapter13. Soka Performing Arts Center -- Chapter14. Isabella Stewart Gardner Museum -- Chapter15. USC Brain and Creativity Institute -- Chapter16. Bing Concert Hall -- Chapter17. Charles Bronfman Auditorium -- Chapter18. Auditorium Giovanni Arvedi -- Chapter19. Shanghai Symphony Hall -- Chapter20. NOSPR Katowice -- Chapter21. Auditorium, Fondation Louis Vuitton -- Chapter22. Radio France Concert Hall -- Chapter23. Philharmonie de Paris -- Chapter24. Musco Center for the Arts -- Chapter25. Lotte Concert Hall -- Chapter26. Elbphilharmonie Hamburg -- Chapter27. Pierre Boulez Saal -- Chapter28. La Seine Musicale -- Chapter29. Repino Hall -- Chapter30. Jinji Lake Concert Hall -- Chapter31. Zaryadye Concert Hall -- Chapter32. The Conrad Prebys Performing Arts Center -- Part2. Topics on Acoustics and Acoustical Design -- Chapter33. Vienna Musikvereinssaal as the Starting Point of Discussion -- Chapter34. Berlin Philharmonie and the Birth of the Vineyard-style Concept -- Chapter35. Surround Seating Paradigm -- Chapter36. Foundational Projects of Nagata Acoustics -- Chapter37. Reverberation Time, Other Metrics, and Underlying Goals -- Chapter38. Computer Simulation -- Chapter39. Scale Model Testing -- Chapter40. The Importance of Stage Acoustics -- Chapter41. Ceiling Height, Ensemble Reflectors, and Soffits -- Chapter42. Acclimation to a New Hall -- Chapter43. Orchestral Balance -- Chapter44. Orchestra Layout -- Chapter45. Excessive Sound Exposure on Stage -- Chapter46. Stage Risers -- Chapter47. Stage Structure -- Chapter48. Adjustable vs. Fixed Acoustics -- Chapter49. Sound System Design in Concert Halls -- Chapter50. Semi-staged Productions in Concert Halls -- Chapter51. Concert Hall Organ Design -- Chapter52. A New Direction of Concert Hall Design.
000959682 506__ $$aAccess limited to authorized users.
000959682 520__ $$aThis visually stunning and data rich text catalogs the design of 32 concert halls by world-renowned acoustician Yasuhisa Toyota and his team at Nagata Acoustics, the firm behind the celebrated Walt Disney Concert Hall, the Hamburg Elbphilharmonie, and numerous others. Alongside architectural drawings and photographs, commentary on the design process and challenges of each hall provides insight for the dedicated listener to appreciate a wide range of internationally beloved concert venues. Summarized acoustical and architectural data for each of the halls will provide valuable reference information to architects and acousticians alike. Following the project anthology is an overview of the history, development, and acoustical features of vineyard- and surround-style concert halls. A broader discussion of design philosophy reveals the methods by which Toyota has guided architects to create world renowned halls. These technical and general discussions give architects the foundation to design for the performing arts, and provide audiences a new insight and perspective to consider the next time they attend a concert.
000959682 588__ $$aOnline resource; title from PDF title page (SpringerLink, viewed March 26, 2021).
000959682 650_0 $$aMusic-halls$$xDesign and construction.
000959682 650_0 $$aArchitectural acoustics.
000959682 650_0 $$aAcoustical engineering.
000959682 655_7 $$aElectronic books$$2lsch
000959682 7001_ $$aKomoda, Motoo,$$eauthor.
000959682 7001_ $$aBeckmann, Daniel,$$eauthor.
000959682 7001_ $$aQuiquerez, Marc,$$eauthor.
000959682 7001_ $$aBergal, Erik,$$eauthor.
000959682 77608 $$iPrint version: $$z9783030424497$$z3030424499$$w(OCoLC)1152256966
000959682 852__ $$bebk
000959682 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-030-42450-3$$zOnline Access$$91397441.1
000959682 909CO $$ooai:library.usi.edu:959682$$pGLOBAL_SET
000959682 980__ $$aEBOOK
000959682 980__ $$aBIB
000959682 982__ $$aEbook
000959682 983__ $$aOnline
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