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Coming to terms with the late medieval altarpiece
A tale of two retables from the Benedictine Monsatery of Crisenon in the Musée-Abbaye Saint-Germain, Auxerre
The aesthetics of immersion : the reception of the retable by the worshipers
Engagement with the pathos of the Passion
The role of the frame
Epilogue: the late medieval altarpiece as house of memory.

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