Introduction: Quem quaeritis? Queerness in Early English Drama
Part One: Queer Theories and Themes of Early English Drama : A Subjunctive Theory of Dramatic Queerness
Themes of Friendship and Sodomy
Part Two: Queer Readings of Early English Drama : Performative Typology, Jewish Genders, and Jesus’s Queer Romance in the York Corpus Christi Plays
Excremental Desire, Queer Allegory, and the Disidentified Audience of Mankind
Sodomy, Chastity, and Queer Historiography in John Bale’s Interludes
Camp and the Hermaphroditic Gaze in Sir David Lyndsay’s Ane Satyre of the Thrie Estaitis
Conclusion: Terrence McNally’s Corpus Christi and the Queer Legacy of Early English Drama.