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000962627 010__ $$a2020021229
000962627 020__ $$a9781474239738$$q(electronic book)
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000962627 035__ $$a(DLC)EBC6396123
000962627 035__ $$a(OCoLC)1227388079
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000962627 042__ $$apcc
000962627 050_4 $$aNK3780$$b.G74 2020
000962627 08200 $$a738.09$$223
000962627 1001_ $$aGreenhalgh, Paul,$$d1955 October 21-$$eauthor.
000962627 24510 $$aCeramic, art and civilisation /$$cPaul Greenhalgh.
000962627 250__ $$aEbook edition.
000962627 264_1 $$aLondon ;$$aNew York :$$bBloomsbury Visual Arts,$$c2020.
000962627 264_4 $$c©2021
000962627 300__ $$a1 online resource (512 pages) :$$billustrations.
000962627 336__ $$atext$$btxt$$2rdacontent
000962627 337__ $$acomputer$$bn$$2rdamedia
000962627 338__ $$aonline resource$$bnc$$2rdacarrier
000962627 500__ $$a"eBook editions first published in Great Britain 2020. Print editions first published in Great Britain 2021" -- Copyright page.
000962627 504__ $$aIncludes bibliographical references and index.
000962627 5058_ $$a1. History, the Collective, and the Individual -- 2. The Renaissance Man -- 3. The Palissystes -- 4. The Salt Renaissance -- 5. Prose and Poetry -- 6. The Nature of Slip -- 7. Configuring Life -- 8. The Arrival of America -- 9. Conclusion: The Ingredients of Modernity CHAPTER 7: THE ACCELERATION OF STYLE AND THE ARRIVAL OF THE MODERN -- 1. Decoration, Complication, and Anxiety -- 2. The Last Transformer: Another Modernity -- 3. Institutionalisation -- 4. Exhibitions -- 5. Ugliness and the Era -- 6. The Invention of Style -- 7. Design Reform and the Ingredients of Modern Design -- 8. The Meaning of Majolica -- 9. The Vortex of Large-scale Production -- 10. The Republic of Tile -- 11. Ceramic Hell -- 12. Gender -- 13. Exoticism -- 14. The Designer -- 15. The Art Nouveau style -- 16. Conclusion: High Eclecticism to Art Nouveau CHAPTER 8: THE STUDIO ARRIVES -- 1. A Modern Place -- 2. Art Pottery -- 3. Defining Art -- 4. The Invention of Craft -- 5. The Completeness of Existence -- 6. The Artist-potter -- 7. Émigrš -- 8. Art Deco -- 9. The International Style -- 10. Mid-century Modern -- 11. Potters and Painters -- 12. Conclusion: A World is Formed CHAPTER 9: THE CREATIVE EXPLOSION -- 1. Thunderous Emotion -- 2. Another Modernity -- 3. The World of Funk -- 4. Conceptualism and Minimalism -- 5. A New Arena -- 6. New American Symbolism -- 7. The Ceramic Landscape -- 8. Abstract Vessels -- 9. Postmodernism -- 10. The New Ornamentalism -- 11. Conclusion: The Potter Now Postscript: Attica to California Notes Bibliography Index About the Author.
000962627 5050_ $$aAcknowledgements Prologue: A History in Shards CHAPTER -- 1. WHAT CERAMIC IS -- 1. Fundamentals -- 2. Stuff of the Earth -- 3. The Art of Heat -- 4. The Potter -- 5. Nomenclature and Culture -- 6. The Ceramic Continuum -- 7. Transformers: Classicism, Islam, China, and the Modern -- 8. The Discipline -- 9. Industry and the Levels of Production -- 10. Ubiquity: The Plastic of the Ancient World -- 11. Telling Stories -- 12. Civilisation, Power, and Domestic Life -- 13. Conclusion: Western Ceramic CHAPTER 2: THE VALUE OF THE GREEK POTTER -- 1. The World in Black and Red -- 2. Positioning the Pots -- 3. The Earlier Greek World -- 4. Reducing Iron and Oxygen -- 5. Who Were These People? -- 6. Secular Life -- 7. Anachronism, the Value, and the Price of Things -- 8. The Value and the Price of Things -- 9. Conclusion: The Spread of Red and Black CHAPTER 3: ROME AND THE ARRIVAL OF THE MEDIEVAL WORLD -- 1. The Feel of Roman Pots -- 2. Red Gloss -- 3. The Pots of Empire -- 4. Greece, Rome, and the Classical Idea -- 5. Standardisation -- 6. Dark, Light, an End and a Beginning -- 7. Europe: The Coarse and the Local -- 8. Revivalism and the Vernacular -- 9. Conclusion: The Classical Heritage CHAPTER 4: RENAISSANCES OF TIN -- 1. The Chemistry of Islam -- 2. Islam and Ceramic History -- 3. The Pottery Revolution -- 4. Islam in Europe -- 5. Renaissance Pots -- 6. Colour, Line and Life -- 7. Secular Life -- 8. Pottery and Painting -- 9. Quantity, Quality, and Status -- 10. The Arrival of the Meal -- 11. Sculptural Form -- 12. Italian Potters and Potteries -- 13. Renaissances -- 14. Conclusion: a European Ethos CHAPTER 5: THE ENLIGHTENED REIGN OF WHITE -- 1. Chinese Pots -- 2. Technology, Style, Confidence -- 3. Porcelain City -- 4. China in Europe -- 5. The Quest for a European Porcelain -- 6. The Porcelain Explosion -- 7. Blue, White, War, and Peace -- 8. Delftware -- 9. Frivolity and Melancholy: the Figurine Reinvented -- 10. The Rise of Staffordshire -- 11. Conclusion: Modern Whiteness CHAPTER 6: THE NATURAL AND THE INDIVIDUAL: LEAD, SLIP, STONE, SALT.
000962627 506__ $$aAccess limited to authorized users
000962627 533__ $$aElectronic reproduction.$$bAnn Arbor, MI$$nAvailable via World Wide Web.
000962627 588__ $$aDescription based on online resource; title from digital title page (viewed on February 04, 2021).
000962627 650_0 $$aPottery$$xHistory.
000962627 650_0 $$aCivilization$$xHistory.
000962627 655_0 $$aElectronic books
000962627 7102_ $$aProQuest (Firm)
000962627 77608 $$iPrint version:$$aGreenhalgh, Paul, 1955 October 21-$$tCeramic art and civilisation$$dLondon ; New York : Bloomsbury Visual Arts, 2021.$$z9781474239707$$w(DLC)  2020021228
000962627 852__ $$bebk
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