000962685 000__ 04735cam\a2200553Ia\4500 000962685 001__ 962685 000962685 005__ 20230306152610.0 000962685 006__ m\\\\\o\\d\\\\\\\\ 000962685 007__ cr\un\nnnunnun 000962685 008__ 210327s2021\\\\sz\\\\\\o\\\\\001\0\eng\d 000962685 019__ $$a1242578146 000962685 020__ $$a9783030610067$$q(electronic book) 000962685 020__ $$a3030610063$$q(electronic book) 000962685 020__ $$z3030610055 000962685 020__ $$z9783030610050 000962685 0247_ $$a10.1007/978-3-030-61006-7$$2doi 000962685 035__ $$aSP(OCoLC)on1243540134 000962685 035__ $$aSP(OCoLC)1243540134$$z(OCoLC)1242578146 000962685 040__ $$aEBLCP$$beng$$cEBLCP$$dGW5XE$$dYDX$$dOCLCO$$dUKMGB 000962685 049__ $$aISEA 000962685 050_4 $$aPN1995.9.P6 000962685 08204 $$a791.436581 000962685 1001_ $$aLykidis, Alex. 000962685 24510 $$aArt cinema and neoliberalism /$$cAlex Lykidis. 000962685 260__ $$aCham :$$bPalgrave Macmillan,$$c2021. 000962685 300__ $$a1 online resource (272 p.). 000962685 336__ $$atext$$2rdacontent 000962685 336__ $$astill image$$2rdacontent 000962685 337__ $$acomputer$$2rdamedia 000962685 338__ $$aonline resource$$2rdacarrier 000962685 4901_ $$aGlobal Cinema 000962685 500__ $$aIncludes index. 000962685 5050_ $$aIntro -- Acknowledgments -- Contents -- List of Figures -- Chapter 1: Introduction: Art Cinema and the Aesthetics of Crisis -- Crisis Cinema -- Modalities of Contemporary Crisis -- Aesthetics of Crisis -- Art Cinema in a Neoliberal Age -- Book Organization -- References -- Part I: Costs of Neoliberalism -- 1.1 References -- Chapter 2: Poetics of Debt: Disruptive Realism in Bamako and The Headless Woman -- Debt Dynamics of Neoliberalism -- Politicizing Art Cinema -- Moral Economy of Debt -- Social Debt -- References -- Part II: Politics of Neoliberalism -- References 000962685 5058_ $$aChapter 3: Crisis of Sovereignty: Anti-psychologism in Alps, Attenberg, Chevalier and Dogtooth -- Democratic Deficits of Neoliberalism -- Authoritarian Tendencies in Recent Greek Cinema -- Art Cinema at the End of History -- Depoliticization and Its Alternatives -- References -- Chapter 4: Return of the Oppressed: Complex Identification in A Separation -- Crisis of Elite Legitimacy in Neoliberalism -- Incomplete Revolution -- Reorienting Art Cinema Narration -- References -- Part III: Cultures of Neoliberalism -- References 000962685 5058_ $$aChapter 5: Political Exclusion and Cultural Difference: Challenging Objectivity in The Class and The Secret of the Grain -- Pretenses of Neutrality in Neoliberalism -- Narrative Space as Political Geography -- Against Neutrality -- The Limits of Cultural Difference -- Rethinking Art Cinema Objectivity -- References -- Chapter 6: Multiculturalism as Class Trauma: Antagonistic Authorship in Caché, Code Unknown, Happy End and Time of the Wolf -- Hostility to Multiculturalism in Neoliberalism -- Insecurity and Ambiguity -- The State and Authorship -- Class Particularism of Art Cinema -- References 000962685 5058_ $$aChapter 7: Afterword -- References -- Index 000962685 506__ $$aAccess limited to authorized users. 000962685 520__ $$aCinema and Neoliberalism surveys cinematic responses to neoliberalism across four continents. One of the first in-depth studies of its kind, this book provides an imaginative reassessment of art cinema in the new millennium by showing how the exigencies of contemporary capitalism are exerting pressure on art cinema conventions. Through a careful examination of neoliberal thought and practice, the book explores the wide-ranging effects of neoliberalism on various sectors of society and on the evolution of film language. Alex Lykidis evaluates the relevance of art cinema style to explanations of the neoliberal order and uses a case study approach to analyze the films of acclaimed directors such as Asghar Farhadi, Yorgos Lanthimos, and Lucrecia Martel in relation to the social, political, and cultural characteristics of neoliberalism. By connecting the aesthetics of art cinema to current social antagonisms, Lykidis positions class as a central concern in our understanding of the polarized dynamics of late capitalism and the escalating provocations of todays film auteurs. Alex Lykidis is Associate Professor of Film Studies in the English Department at Montclair State University, USA. 000962685 588__ $$aDescription based on print version record. 000962685 650_0 $$aMotion pictures$$xPolitical aspects. 000962685 650_0 $$aNeoliberalism in motion pictures. 000962685 650_0 $$aMotion pictures$$xHistory. 000962685 655_0 $$aElectronic books 000962685 77608 $$iPrint version:$$aLykidis, Alex$$tArt Cinema and Neoliberalism$$dCham : Springer International Publishing AG,c2021$$z9783030610050 000962685 830_0 $$aGlobal cinema. 000962685 852__ $$bebk 000962685 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-030-61006-7$$zOnline Access$$91397441.1 000962685 909CO $$ooai:library.usi.edu:962685$$pGLOBAL_SET 000962685 980__ $$aEBOOK 000962685 980__ $$aBIB 000962685 982__ $$aEbook 000962685 983__ $$aOnline 000962685 994__ $$a92$$bISE