The meaning of form in contemporary innovative poetry / Robert Sheppard.
Sheppard, Robert, author.
2016
PN6099.S547 2016
Available Online

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Title The meaning of form in contemporary innovative poetry / Robert Sheppard.
Author Sheppard, Robert, author.
ISBN 9783319340456 (electronic book)
331934045X (electronic book)
9783319340449
DOI https://doi.org/10.1007/978-3-319-34045-6
Published Cham : Springer, 2016.
Language English
Description 1 online resource (255 pages)
Other Standard Identifiers 10.1007/978-3-319-34045-6 doi
Call Number PN6099.S547 2016
Dewey Decimal Classification 811.54
Summary This study engages the life of form in contemporary innovative poetries through both an introduction to the latest theories and close readings of leading North American and British innovative poets. The critical approach derives from Robert Sheppard's axiomatic contention that poetry is the investigation of complex contemporary realities through the means (meanings) of form. Analyzing the poetry of Rosmarie Waldrop, Caroline Bergval, Sean Bonney, Barry MacSweeney, Veronica Forrest-Thomson, Kenneth Goldsmith, Allen Fisher, and Geraldine Monk, Sheppard argues that their forms are a matter of authorial design and readerly engagement.
Access Note Access limited to authorized users.
Digital File Characteristics text file PDF
Source of Description Online resource; title from PDF title page (EBSCO, viewed March 27, 2017).
Series Modern and contemporary poetry and poetics.
Available in Other Form Print version: 9783319340449
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Preface
Introduction: Form, Forms and Forming
1. Veronica Forrest-Thomson: Poetic Artifice and Naturalization in Theory and Practice
2. Convention and Constraint: Form in the Innovative Sonnet Sequence
3. Translation as Transformation: Tim Atkins' and Peter Hughes' Petrarch
4. Meddling the Medieval: Caroline Bergvall and Erín Moure
5. Translation as Occupation: Simon Perril and Sean Bonney
6. Rosmarie Waldrop: Poetics, Wild Forms and Palimpsest Prose
7. The Trace of Poetry and the Non-Poetic: Conceptual Writing and Appropriation in Kenneth Goldsmith, Vanessa Place and John Seed
8. Stefan Themerson: Iconopoeia and Thought-Experiments in the Theater of Semantic Poetry
9. The Making of the Book: Bill Griffiths and Allen Fisher
10. Geraldine Monk's Poetics and Performance: Catching Form in the Act
11. Form and the Antagonisms of Reality: Barry MacSweeney's Sin Signs
Notes
Bibliography
Index.

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