Space and Subjectivity in Contemporary Brazilian Cinema / edited by Antônio Márcio da Silva, Mariana Cunha.
Da Silva, Antônio Márcio., editor.; Cunha, Mariana., editor.
2017
PN1993.5.A1
Available Online

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Title
Space and Subjectivity in Contemporary Brazilian Cinema / edited by Antônio Márcio da Silva, Mariana Cunha.
ISBN
331948267X
9783319482675
3319482661
9783319482668
DOI
https://doi.org/10.1007/978-3-319-48267-5
Published
Cham Springer International Publishing Imprint : Palgrave Macmillan, 2017.
Language
English
Description
1 online resource (243 pages) : illustrations
Item Number
10.1007/978-3-319-48267-5 doi
Call Number
PN1993.5.A1
Dewey Decimal Classification
869.080981
Summary
This collection explores the emergence of new spatialities and subjectivities in Brazilian films produced from the 1990s onwards, a period that became known as the retomada, but especially in the cinema of the new millennium. The chapters take spatiality as a powerful tool that can reveal aesthetic, political, social, and historical meanings of the cinematographic image instead of considering space as just a formal element of a film. From the rich cross-fertilization of different theories and disciplines, this edited collection engages with the connection between space and subjectivity in Brazilian cinema while raising new questions concerning spatiality and subjectivity in cinema and providing new models and tools for film analysis.
Bibliography, etc. Note
Includes bibliographical references at the end of each chapters, filmographies and index.
Access Note
Access limited to authorized users.
Digital File Characteristics
text file PDF
Source of Description
Description based on print version record.
Added Author
Da Silva, Antônio Márcio., editor.
Cunha, Mariana., editor.
Series
Screening spaces.
Available in Other Form
Print version: 3319482661
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Chapter 1: Introduction
Chapter 2: Tikmũ'ũn's Caterpillar-Cinema: Off-screen Space and Cosmopolitics in Amerindian Films
Chapter 3: The Reterritorializations of Urban Space in Brazilian Cinema
Chapter 4: Mapping from the Margins: The Films of Beto Brant
Chapter 5: Bodies in Landscape: The Scientist's Presence in Viajo porque preciso, volto porque te amo and Ventos de agosto
Chapter 6: Intensive Spatium and the Construction of Child Subjectivities in Brazilian Cinema
Chapter 7: Insolação: Subjective Perception of an Urban Utopia through the Lens of Love and Loss
Chapter 8: Astral Cities, New Selves: Utopian Subjectivities in Nosso Lar and Branco sai, preto fica
Chapter 9: Underneath the Surface, Embodied on Screen: Memory and Social Conflict in São Paulo's Cityscape
Chapter 10: The Space of Queer Masculinities in Karim Aïnouz's Praia do Futuro
Chapter 11: Water and Queer Intimacy
Chapter 12: 'Casa grande & senzala': Domestic Space and Class Conflict in Casa grande and Que horas ela volta?
Chapter 13: O som ao redor: Aural Space, Surveillance, and Class Struggle.

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