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Table of Contents
1. Narratives in Black British Dance
An Introduction
2. "I don't do Black-dance, I am a Black dancer"; Namron
3. Dance Britannia: the impact of global shifts on dance in Britain; Christy Adair and Ramsay Burt
4. Negotiating African Diasporic identity in Dance: Brown Bodies Creating and Existing in the British Dance Industry; Tia-Monique Uzor
5. Tracing the evolution of black representation in ballet and the impact on black British dancers today; Sandie Bourne
6. In-the-betweeness: Decolonising and re-inhabiting our dancing; Adesola Akinleye and Helen Kindred
7. Trails of Ado: Kokuma's Cultural Self-Defense; Thea Barnes
8. Moving tu Balance: An African Holistic Dance as a vehicle for personal development from a Black British perspective; Sandra Golding
9. 'Why I am not a fan of the Lion King: Ethically-informed Approaches to the Teaching and Learning of South African Dance Forms in Higher Education in the United Kingdom; Sarahleigh Castelyn
10. Performativity of Body Painting: Symbolic Ritual as Diasporic Identity; Chikukwango Cuxima-Zwa
11. Dancehall: a Continuity of Spiritual, Corporeal Practice in Jamaican Dance; H Patten
12. Our Ethiopian Connection: Embodied Ethiopian Culture as a tool in Urban-Contemporary Choreography; RAS Mikey (Michael) Courtney
13. Reflections: Snapshots of dancing home, 1985, 2010 and 2012; Hopal Romans
14. Battling Under Britannia's Shadow: UK Jazz Dancing in the 1970s and '80s; Jane Carr
15. Caribfunk Technique: A new feminist/ womanist futuristic technology in Black dance studies in Higher Education; A'Keitha Carey
16. More Similarities than Differences: Searching for New Pathways; Beverley Glean & Rosie Lehan
17. Epistemology of the weekend: Youth dance theatre; Hopal Romans, Adesola Akinleye, & Michael Joseph
18. Transatlantic Voyages: Then and Now; Anita Gonzalez.
An Introduction
2. "I don't do Black-dance, I am a Black dancer"; Namron
3. Dance Britannia: the impact of global shifts on dance in Britain; Christy Adair and Ramsay Burt
4. Negotiating African Diasporic identity in Dance: Brown Bodies Creating and Existing in the British Dance Industry; Tia-Monique Uzor
5. Tracing the evolution of black representation in ballet and the impact on black British dancers today; Sandie Bourne
6. In-the-betweeness: Decolonising and re-inhabiting our dancing; Adesola Akinleye and Helen Kindred
7. Trails of Ado: Kokuma's Cultural Self-Defense; Thea Barnes
8. Moving tu Balance: An African Holistic Dance as a vehicle for personal development from a Black British perspective; Sandra Golding
9. 'Why I am not a fan of the Lion King: Ethically-informed Approaches to the Teaching and Learning of South African Dance Forms in Higher Education in the United Kingdom; Sarahleigh Castelyn
10. Performativity of Body Painting: Symbolic Ritual as Diasporic Identity; Chikukwango Cuxima-Zwa
11. Dancehall: a Continuity of Spiritual, Corporeal Practice in Jamaican Dance; H Patten
12. Our Ethiopian Connection: Embodied Ethiopian Culture as a tool in Urban-Contemporary Choreography; RAS Mikey (Michael) Courtney
13. Reflections: Snapshots of dancing home, 1985, 2010 and 2012; Hopal Romans
14. Battling Under Britannia's Shadow: UK Jazz Dancing in the 1970s and '80s; Jane Carr
15. Caribfunk Technique: A new feminist/ womanist futuristic technology in Black dance studies in Higher Education; A'Keitha Carey
16. More Similarities than Differences: Searching for New Pathways; Beverley Glean & Rosie Lehan
17. Epistemology of the weekend: Youth dance theatre; Hopal Romans, Adesola Akinleye, & Michael Joseph
18. Transatlantic Voyages: Then and Now; Anita Gonzalez.