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Acknowledgments; Contents; List of Figures; Chapter 1: Introduction; Statement of Aims; Small Cinemas and Small Countries Matter; Transition; The Present Past; Chapters; Notes; Chapter 2: Hamaca paraguaya (2006): The Campesino and Circular Time; A Film in Which Protagonists Do Almost Nothing, Dialogue Is Never Spoken and Important Characters Remain Invisible; Dual Temporalities and a Record of Violence: No Future; To Disavow Race Results in a Haunting by Time; Conclusion; Notes; Chapter 3: Frankfurt (2008): Documentary, Fútbol and the Campesino Icon in Paraguay.

Television, Division and Inclusion; Football and (Self) Recognition; Winners, Losers and Affect; Historical Border Wars and Contemporary Global Neoliberal Capitalism; The Market, the State and the Church; Conclusion; Notes; Chapter 4: Rape of the Nation: Karai norte (2009) and Noche adentro (2010); Noche adentro; The Triple Alliance War; Karai norte; La Mujer Paraguaya and Foundational Mestizaje Myths; Conclusion; Notes; Chapter 5: Queering Paraguayan Film: 108/Cuchillo de palo (2010) and Semana capital (2010); Cuchillo's Chiaroscuro; Pedro Costa.

Macho Militarism Seasoned with Pious Catholicism; Transgender Women, Gay Men and Feminism; Contrasting Receptions: Semana capital; Conclusions; Notes; Chapter 6: The Child as Paraguay's Future: "Calle Última (2010), Mitaí́ (2011), and 7 cajas (2012)"; Mitaí́ (2011): The Independent Short and Disability; Calle Última (2010): The Pro-Child Project; 7 cajas (2012): The Blockbuster; The Child and Political Anxiety; Education and the Future; Conclusion; Notes; Bibliography; Filmography; Works Cited; Index.

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