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Introduction: Dancing with memory
Part I. Pedagogic invocations of Afro-diasporic memory. Tap dance and cultural memory : shuffling with my dancestors
"Salsa con Afro" : remembering and reenacting Afro-Cuban roots in the global Cuban and Latin dance communities
Between creolisation and kinaesthetic transnationalism : Zumba fitness as mimetic parody and ritual re-enactment
Part II. Manipulated memory and reclamation. Parading the past, taming the new : from ragtime to rock and roll
Queer tango - bent history? The late-modern uses and abuses of historical imagery showing men dancing tango with each other
Bomba Cimarrona : hip interactions in the Afro-Ecuadorian Bomba del Chota as a decolonial means to remember
Youthful bodies as mnemonic artifacts : traversing the cultural terrain from traditional to popular dances in post-independent Ghana
Part III. National memories and amnesias. Csángó space and time in the Hungarian Táncház revival
National identity in Philippine folk dance : changing focus from the Cariñosa to tinkling
Archive and memory in Cuban dances : the performance of memory and the dancing body as Archive in the making
Courting disasters ("I don't remember anyway") : the forgetful dancer and the body politic in The sound of music (1965)
Part IV. Im/mediate memories. Feeling with, moving toward : empathetic attunement in dance reconstruction methodology
Mother tongue : dance and memory, an autobiographical excavation
Filmed, felt, and false rhythms : dance videos and an embodying "home" in post-migration
The transmission of nostalgia and (be)longing in popular screendance, or recollecting Damien Chazelle's La la land
Part V. Conclusions. Some dance to remember, some dance to forget.

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