Intro
Acknowledgements
Praise for Popular Music Heritage
Contents
Introduction: Why Popular Music 'Heritage'-and Why Now?
The Dawning of the Rock and Pop Heritage Era
Rocking the Institutional Bias
Whose Heritage Is It Anyway?
References
Part I: Place and Objects
Music, Heritage and the Cultural Consecration of Place
Music, Place and Spatialisation
Music Heritage and Memoryscapes
Cities, 'Sounds' and Heritage
Magical History Tours
Beyond the Bright Lights
Conclusion
References
Museums, Music Halls of Fame and Fan Conventions

Popular Music and the Museum: An Uneasy Alliance
Halls of Fame
Conventions and Fanatics
Conclusion
References
Memorabilia, Collectables and Enshrinement
Enshrining the Popular
My Personal Collection
Rare and Vintage Artefacts
DIY Preservationists
Conclusion
References
Part II: Media and Performance
Heritage Media and 'Classic' Re-presentation
Docomania
Have You Seen the Movie?
Glossy Heavyweights
Off the Shelf: Rock and Pop Autobiographies
Conclusion
References
Heritage Discourse and the Internet
In Praise of ... Internet Fan Sites

Virtual Scenes
Online Heritage Activism
The Digital Archiving of Rock and Pop Heritage
Music Heritage in Pandemic Times
Conclusion
References
Tribute Bands, Self-Tribute and 'Classic Albums Live'
Pick a Band, Pick an Era
Heritage Artists and Self-Tribute
Live as You've Always Heard It Before: Classic Albums Live
The 'Future' of Classic Rock and Pop
Conclusion
References
References
Index