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1. Introduction: A Mediterranean Comedy
Part I. History of Criticism
2. A Post-Colonial Comedy: Enrico Cerulli on Dante
3. Beyond Good and Evil? More on Cerulli and Italian Orientalism
Part II. Exercises in Criticism
4. Exposing Maomettos Contrapasso: The Arabic Sources from Spain and the Early Commentators on the Commedia
5. A Transreligious Hell: Dante in the Prisons of the Inquisition in Palermo
6. The City Lament: Mediterranean Microecologies of Courtly Love
7. Conclusion: A Sea of Differences.

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