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Table of Contents
Introduction. By Matt Melia and Georgina Orgill
Part 1: Authorship and A Clockwork Orange
Chapter 1: Dangerous arts: the clash between Anthony Burgess, Stanley Kubrick, A Clockwork Orange and the World. By Filippo Ulivieri
Chapter 2: Fresh Juice From A Clockwork Orange: Anthony Burgesss Novel and its Aftermath. By Andrew Biswell
Chapter 3: Evolving A Clockwork Orange. By Matt Melia
Part 2: Language and Adaptation
Chapter 4: "The colours of the real world only seem really real when you viddy them on the screen": The adaptation of Nadsat in Stanley Kubricks A Clockwork Orange. By Jim Clarke and Benet Vincent
Chapter 5: Language, Language: The Social Politics of Goloss in A Clockwork Orange. By Julian Preece
Chapter 6: Adapting A Clockwork Orange. By I.Q Hunter
Part 3: Architectural, Art Historical and Theoretical Approaches to A Clockwork Orange
Chapter 7: The Violence of the Image OR How Stanley Kubrick Visualised Anthony Burgesss Novel. By Dijana Metlic
Chapter 8: Architecture and Freedom in A Clockwork Orange. By Joe Darlington
Chapter 9: Glazzies Wide Open: Spectral Torture, Kubrick and A Clockwork Orange. By Murray Pomerance
Part 4: 20th Century Contexts for A Clocwkork Orange
Chapter 10: A particularly bad film of, like, a concentration camp: Jews and Germans in A Clockwork Orange. By Peter Kramer and Nathan Abrams
Chapter 11: When Burgess met the Stilyagi on a white night: Subcultures, hegemony and resistance in the soviet roots of A Clockwork Oranges droogs. By Cristian Pasotti
Chapter 12: Alexs voice in A Clockwork Orange: Nadsat, Cinema and Cold War Brainwashing Scares. By Joy McEntee
Part 5: A Clockwork Orange in the 21st Century
Chapter 13: A Thing Living and Not Growing. By Ajay Hothi
Chapter 14: A Clockwork Orange and its representations of Sexual Violence. By Karen Ritzenhoff.
Part 1: Authorship and A Clockwork Orange
Chapter 1: Dangerous arts: the clash between Anthony Burgess, Stanley Kubrick, A Clockwork Orange and the World. By Filippo Ulivieri
Chapter 2: Fresh Juice From A Clockwork Orange: Anthony Burgesss Novel and its Aftermath. By Andrew Biswell
Chapter 3: Evolving A Clockwork Orange. By Matt Melia
Part 2: Language and Adaptation
Chapter 4: "The colours of the real world only seem really real when you viddy them on the screen": The adaptation of Nadsat in Stanley Kubricks A Clockwork Orange. By Jim Clarke and Benet Vincent
Chapter 5: Language, Language: The Social Politics of Goloss in A Clockwork Orange. By Julian Preece
Chapter 6: Adapting A Clockwork Orange. By I.Q Hunter
Part 3: Architectural, Art Historical and Theoretical Approaches to A Clockwork Orange
Chapter 7: The Violence of the Image OR How Stanley Kubrick Visualised Anthony Burgesss Novel. By Dijana Metlic
Chapter 8: Architecture and Freedom in A Clockwork Orange. By Joe Darlington
Chapter 9: Glazzies Wide Open: Spectral Torture, Kubrick and A Clockwork Orange. By Murray Pomerance
Part 4: 20th Century Contexts for A Clocwkork Orange
Chapter 10: A particularly bad film of, like, a concentration camp: Jews and Germans in A Clockwork Orange. By Peter Kramer and Nathan Abrams
Chapter 11: When Burgess met the Stilyagi on a white night: Subcultures, hegemony and resistance in the soviet roots of A Clockwork Oranges droogs. By Cristian Pasotti
Chapter 12: Alexs voice in A Clockwork Orange: Nadsat, Cinema and Cold War Brainwashing Scares. By Joy McEntee
Part 5: A Clockwork Orange in the 21st Century
Chapter 13: A Thing Living and Not Growing. By Ajay Hothi
Chapter 14: A Clockwork Orange and its representations of Sexual Violence. By Karen Ritzenhoff.