Anthony Burgess, Stanley Kubrick and A clockwork orange / Matthew Melia, Georgina Orgill, editors.
Melia, Matthew. editor.; Orgill, Georgina. editor.
2023
NX161
Available Online

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Title Anthony Burgess, Stanley Kubrick and A clockwork orange / Matthew Melia, Georgina Orgill, editors.
ISBN 9783031055997 (electronic bk.)
3031055993 (electronic bk.)
3031055985
9783031055980
DOI https://doi.org/10.1007/978-3-031-05599-7
Published Cham, Switzerland : Palgrave Macmillan, [2023]
Language English
Description 1 online resource (1 volume) : illustrations (black and white, and colour)
Item Number 10.1007/978-3-031-05599-7 doi
Call Number NX161
Dewey Decimal Classification 791.43/6
Summary This book brings together a diverse range of contemporary scholarship around both Anthony Burgess's novel (1962) and Stanley Kubrick's film, A Clockwork Orange (US 1971; UK 1972). This is the first book to deal with both together offering a range of groundbreaking perspectives that draw on the most up to date, contemporary archival and critical research carried out at both the Stanley Kubrick Archive, held at University of the Arts London, and the archive of the International Anthony Burgess Foundation. This landmark book marks both the 50th anniversary of Kubrick's film and the 60th anniversary of Burgess's novel by considering the historical, textual and philosophical connections between the two. The chapters are written by a diverse range of contributors covering such subjects as the Burgess/Kubrick relationship; Burgess's recently discovered 'sequel' The Clockwork Condition; the cold war context of both texts; the history of the script; the politics of authorship; and the legacy of both-including their influence on the songwriting and personas of David Bowie!
Bibliography, etc. Note Includes bibliographical references and index.
Access Note Access limited to authorized users.
Source of Description Description based on print version record.
Added Author Melia, Matthew. editor.
Orgill, Georgina. editor.
Series Palgrave studies in adaptation and visual culture.
Available in Other Form ANTHONY BURGESS, STANLEY KUBRICK AND A CLOCKWORK ORANGE.
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Introduction. By Matt Melia and Georgina Orgill
Part 1: Authorship and A Clockwork Orange
Chapter 1: Dangerous arts: the clash between Anthony Burgess, Stanley Kubrick, A Clockwork Orange and the World. By Filippo Ulivieri
Chapter 2: Fresh Juice From A Clockwork Orange: Anthony Burgesss Novel and its Aftermath. By Andrew Biswell
Chapter 3: Evolving A Clockwork Orange. By Matt Melia
Part 2: Language and Adaptation
Chapter 4: "The colours of the real world only seem really real when you viddy them on the screen": The adaptation of Nadsat in Stanley Kubricks A Clockwork Orange. By Jim Clarke and Benet Vincent
Chapter 5: Language, Language: The Social Politics of Goloss in A Clockwork Orange. By Julian Preece
Chapter 6: Adapting A Clockwork Orange. By I.Q Hunter
Part 3: Architectural, Art Historical and Theoretical Approaches to A Clockwork Orange
Chapter 7: The Violence of the Image OR How Stanley Kubrick Visualised Anthony Burgesss Novel. By Dijana Metlic
Chapter 8: Architecture and Freedom in A Clockwork Orange. By Joe Darlington
Chapter 9: Glazzies Wide Open: Spectral Torture, Kubrick and A Clockwork Orange. By Murray Pomerance
Part 4: 20th Century Contexts for A Clocwkork Orange
Chapter 10: A particularly bad film of, like, a concentration camp: Jews and Germans in A Clockwork Orange. By Peter Kramer and Nathan Abrams
Chapter 11: When Burgess met the Stilyagi on a white night: Subcultures, hegemony and resistance in the soviet roots of A Clockwork Oranges droogs. By Cristian Pasotti
Chapter 12: Alexs voice in A Clockwork Orange: Nadsat, Cinema and Cold War Brainwashing Scares. By Joy McEntee
Part 5: A Clockwork Orange in the 21st Century
Chapter 13: A Thing Living and Not Growing. By Ajay Hothi
Chapter 14: A Clockwork Orange and its representations of Sexual Violence. By Karen Ritzenhoff.

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