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1. Introduction
Part I Historical Perspectives
2. Naturshchiki, Types and Non-actors: Nonprofessional Performance in Early Soviet Cinema
3. Italian Neorealism and the Nonprofessional Protagonist
4. The Corruption of Nonprofessional Performance in Pasolinis Cinema
Part II Contemporary Approaches
5. Misael Saavedra in La libertad: The Work of Gestures
6. Lluis Serrat and Lluis Carb in Honor de Cavalleria: Nonprofessional Performance and the Quixotic
7. Honor Swinton Byrne in The Souvenir: Self-Consciousness and Privilege
8. Conclusion.

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