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Table of Contents
1. introduction
2. part I. Microaesthetics
3. Christian Kracht's microaesthetics
4. DJ Bobo in Ulan Bataar. A way out of the whole in Christian Kracht's aesthetics?
5. "... a continuing always repeated disturbance". Christian Kracht with Max Bense and Friedrich Schlegel -Response to the contributions of Christoph Kleinschmidt and Maria Kuberg.-6. Part II. Aesthetics of the literary world
7. Aesthetics of paratexts in Christian Kracht. Quotations, cover designs, author figures
8. "In Search of a Character". Christian Kracht's self-staging practices in the authorial photograph
9. The image given and the image taken - Responding to the contributions by Christine Riniker and Ronald Rttel
10. Part III. Aisthesis - Body and Mind
11. Surface aesthetics. The Barbour jacket as a second skin in Christian Kracht's novel Faserland
12. "Nothing is meaningless." On the Relationship between Spirituality and Postmodernism in the Novels of Christian Kracht
13. No Stable Position in Sight - Responding to the Contributions of Julia Bertschik and Robert Hermann
14. Part IV. Aesthetic Mode and Historical Truth
15. Mediologies of the Counterfactual in Christian Kracht's I Will Be Here in Sunshine and in Shadow
16. Of Faded Photographs and Rattling Projectors. On the Anti-Documentary Aesthetic in Christian Krachts Imperium
17. Aesthetic Mode and Historical Truth - Responding to the Contributions of Caspar Battegay and Christoph Schmitz
18. Part V. Exploration of Alternative Aesthetics
19. Of all the novels, I do appreciate the most the interesting ones. Aesthetics of the reserved and poetics of the interesting in Christian Kracht's Die Toten
20. 'In Praise of the Shadow'. Christian Kracht's The Dead as a 'Japanese Aesthetic'
21. "[T]he Scaffolding of the Letter H" - Responding to the Contributions of Marvin Baudisch and Azusa Takata
22. Part VI. Literary Aesthetics
23. "Barbourpapa". A source-philological investigation into the textual genesis of Faserland
24. Self-reference and its disorders. On a socio-political dimension of Christian Kracht's poetics and his novel Imperium (2012)
25. Literary aesthetics and the hermeneutics of the subject: subjectivation in Christian Kracht - Responding to the contributions of Philip Ajouri and Matthias N. Lorenz
26. Part VII. After the Poetics Lecture
27. Variations on an Unavailable Text. Christian Kracht's Frankfurt Poetics Lectures
28. Ineffable. Hermeneutics, Poetics and Charlie Chaplin in Christian Kracht
29. Christian Kracht's Postmodern Parodies.
2. part I. Microaesthetics
3. Christian Kracht's microaesthetics
4. DJ Bobo in Ulan Bataar. A way out of the whole in Christian Kracht's aesthetics?
5. "... a continuing always repeated disturbance". Christian Kracht with Max Bense and Friedrich Schlegel -Response to the contributions of Christoph Kleinschmidt and Maria Kuberg.-6. Part II. Aesthetics of the literary world
7. Aesthetics of paratexts in Christian Kracht. Quotations, cover designs, author figures
8. "In Search of a Character". Christian Kracht's self-staging practices in the authorial photograph
9. The image given and the image taken - Responding to the contributions by Christine Riniker and Ronald Rttel
10. Part III. Aisthesis - Body and Mind
11. Surface aesthetics. The Barbour jacket as a second skin in Christian Kracht's novel Faserland
12. "Nothing is meaningless." On the Relationship between Spirituality and Postmodernism in the Novels of Christian Kracht
13. No Stable Position in Sight - Responding to the Contributions of Julia Bertschik and Robert Hermann
14. Part IV. Aesthetic Mode and Historical Truth
15. Mediologies of the Counterfactual in Christian Kracht's I Will Be Here in Sunshine and in Shadow
16. Of Faded Photographs and Rattling Projectors. On the Anti-Documentary Aesthetic in Christian Krachts Imperium
17. Aesthetic Mode and Historical Truth - Responding to the Contributions of Caspar Battegay and Christoph Schmitz
18. Part V. Exploration of Alternative Aesthetics
19. Of all the novels, I do appreciate the most the interesting ones. Aesthetics of the reserved and poetics of the interesting in Christian Kracht's Die Toten
20. 'In Praise of the Shadow'. Christian Kracht's The Dead as a 'Japanese Aesthetic'
21. "[T]he Scaffolding of the Letter H" - Responding to the Contributions of Marvin Baudisch and Azusa Takata
22. Part VI. Literary Aesthetics
23. "Barbourpapa". A source-philological investigation into the textual genesis of Faserland
24. Self-reference and its disorders. On a socio-political dimension of Christian Kracht's poetics and his novel Imperium (2012)
25. Literary aesthetics and the hermeneutics of the subject: subjectivation in Christian Kracht - Responding to the contributions of Philip Ajouri and Matthias N. Lorenz
26. Part VII. After the Poetics Lecture
27. Variations on an Unavailable Text. Christian Kracht's Frankfurt Poetics Lectures
28. Ineffable. Hermeneutics, Poetics and Charlie Chaplin in Christian Kracht
29. Christian Kracht's Postmodern Parodies.