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Intro
Acknowledgments
Contents
About the Author
List of Figures
Chapter 1: Introduction
1.1 The Pulsing Life Behind Images
1.2 Living, Breathing Space
1.3 The Sensorial Body in Film
1.4 Making Sense of the Chapters
References
Chapter 2: Unspeakable Acts: Embodiment and Perception in Bloody Sunday and '71
2.1 "You can't just leave them lying like bits of meat here" : Bloody Sunday and a Chaotic Afternoon in Derry
2.2 "Get out of this country, none of us likes you!" :'71 and a Sensorial Journey Across Divided Belfast
References

Chapter 3: Embodied Violation in Tropa de Elite and A Divisão: The Spectacle of Torture and Violence in Rio's favelas
3.1 "Pede pra sair!" : Corporeal Abuse and Uncontrollable Punishment in Tropa de Elite
3.2 "Tá com cheiro de sangue isso aqui" : A Sensorial Approach to Torture in A Divisão
References
Chapter 4: Corporeal Navigation of Carceral Spaces in Northern Ireland: The Sensorial Geography of Limitation in Maze and Silent Grace
4.1 "Eyes and ears" : Corporeal Navigation of the Carceral Geography in Maze

4.2 "We're prisoners of war. We're looking for political status not a bloody bar of chocolate" : Bodies, Incarcerated Spaces, and Sensorial Experience in Silent Grace
References
Chapter 5: Marginalized Bodies and Violated Senses: Representations of Inhumane Confinement in Carandiru and Quase Dois Irmãos
5.1 "Rebelião no 9, tranquei, a casa é nossa!" : The Violated Body in Carandiru's Merciless Carceral Space
5.2 "Nós somos praticamente o último foco de resistência do país" : Political Oppression and Embodied Disruption in Quase Dois Irmãos
References
Chapter 6: Final Thoughts

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