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Introduction. Performance Arts: Research in the Age of Digital Revolution
Part One. Virtual Reconstruction of Lost Theatres
Chapter 1. Virtual Praxis and Theatre Research: Textual Recovery
Chapter 2. Virtual Praxis: Conducting Performance Research in Virtual Theatres
Chapter 3. Stardust Orientalism, Virtual Praxis and Digital Construction: Madame Butterfly on Ice at the Stardust Hotel, Las Vegas, 1959
Part Two. Spatial-History Digital Database for Humanistic Research
Chapter 4. Coded, Transcoded, Encoded, Mapped: Reading Film Adaptations of Ibsens Plays in the Digital Age
Chapter 5. Digital Ibsen: Tracing Houses and Homes in an Ibsen Play
Chapter 6. A Performance History of Ibsen in America: Outlines, Conjunctures and Regional Diffusion
Part Three. Digital Culture in Performance Production
Chapter 7. Digitization and New Modes of Ibsen Studies
Chapter 8. Artifact as Digihistory: Re-viewing Islamist Militancy
Chapter 9. Digital Operatic Precedents in Haruki Murakamis Killing Commendatore
Part Four. Arts Tech and Experimentations in Stage Performance?
Chapter 10. The Carp Fairy in the Digitalised Traditional Chinese Theatre
Chapter 11. Rethinking the Use of Multimedia Technology in the Theatre
Chapter 12. Staying Alive: The Plague and Performance in a Digital Age.

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