Linked e-resources

Details

Cover
Half Title
Title
Copyright
Contents
Acknowledgments
1. Introduction: Allegory and the Poetic Self
First-Person Narration in Late Medieval Literature
Part I. Authorship and Authorial Identity
2. Once Again the Authorship of the Roman de la Rose
3. The Roles of the "I" in Machaut's Jugement Poems, from Narrator to Accused
4. René d'Anjou and His Textual Models
5. Polymorphic Self-Narration in Le livre du Chevalier errant of Thomas III of Saluzzo
Part II. Focusing the Narrator
6. Narration and Personification Allegory in Machaut's Vergier
7. First-Person Allegory and the Concept of the Unreliable Narrator
8. The Heart in the Minnelehre, the Roman de la Poire, and the Livre du Cœur d'amour épris
9. Boundaries of Form and Subject in Fifteenth-Century Dits
Part III. Love and Desire between Tradition and Subjectivity
10. Dueling Models of Desire: Ovid and Boethius in the Rose and the Dit Amoureux
11. Boccaccio's Amorosa Visione: The Search for Wholeness in the Spirit of Erotic Pleasure
12. Frustrating Autobiography: The Examples of Libro de buen amor and Cárcel de amor
13. The Semantics of Love and Narrative Ground in Guiraut Riquier's Libre
14. Glossing the "Text" of Love: First-Person Narration and the Performative Self in Hadamar von Laber's Jagd
15. Postscript
Primary Source Dates
Select Bibliography
List of Contributors
Index
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
Y
Z.

Browse Subjects

Show more subjects...

Statistics

from
to
Export