Pop art and the origins of post-modernism [electronic resource] / Sylvia Harrison.
Harrison, Sylvia, 1947-
2001
N6512.5.P6 H37 2001eb
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Title Pop art and the origins of post-modernism [electronic resource] / Sylvia Harrison.
Author Harrison, Sylvia, 1947-
ISBN 0511016247 (electronic book)
9780511016240 (electronic book)
Imprint Cambridge ; New York : Cambridge University Press, 2001.
Language English
Description 1 online resource (vii, 280 p.)
Call Number N6512.5.P6 H37 2001eb
Dewey Decimal Classification 709/.73/09046
Bibliography, etc. Note Includes bibliographical references (p. 223-273) and index.
Access Note Access limited to authorized users.
Source of Description Description based on print version record.
Series Contemporary artists and their critics
Available in Other Form Pop art and the origins of post-modernism.
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Pt. 1. Theoretical Framework. 1. Post-Modernist Assumptions
Pt. 2. "Social" Critics. 2. Lawrence Alloway: Pop Art and the "Pop Art-Fine Art Continuum" 3. Harold Rosenberg: Pop Art and the "De-definition" of Both Art and "Self" 4. Leo Steinberg: Pop, "Post-Modernist" Painting, and the Flatbed Picture Plane
Pt. 3. "Philosophical" Critics. 5. Barbara Rose: Pop, Pragmatism, and "Prophetic Pragmatism" 6. Max Kozloff: A Phenomenological Solution to "Warholism" and Its Disenfranchisement of the Critic's Interpretive and Evaluative Roles
Pt. 4. "Cultural" Critics. 7. Susan Sontag: Pop, the Aesthetics of Silence, and the New Sensibility.

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