The playwright's intentions: Pinter's Old times, Shepard's Curse of the starving class, Beckett's Come and go, and Bogosian's Talk radio
Actors and their discoveries: Shepard's Curse of the starving class and Feiffer's Litle murders
Actors, the set, and the audience: Brecht's Galileo, Pinter's The lover and Old times, and other examples
The actor and the prop: the tape recorder in Beckett's Krapp's last tape
Building a character's history: Shepard's True west
Playing the subtext: Pinter's The lover and A kind of Alaska
Theater from reality: co-author and co-director of More letters to the editor
Playing the house
Different audiences.