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Introduction : how film became art
Vachel Lindsay and the Universal Film Museum
Overlapping publics : Hollywood and Columbia University, 1915
Mandarins and Marxists : Harvard and the rise of film experts
Iris Barry, Hollywood imperialism, and the gender of the nation
The Museum of Modern Art and the roots of the cultural Cold War
The politics of patronage : how the NEA (accidentally) created American avant-garde film
Conclusion : the transformation of the studio system.
Vachel Lindsay and the Universal Film Museum
Overlapping publics : Hollywood and Columbia University, 1915
Mandarins and Marxists : Harvard and the rise of film experts
Iris Barry, Hollywood imperialism, and the gender of the nation
The Museum of Modern Art and the roots of the cultural Cold War
The politics of patronage : how the NEA (accidentally) created American avant-garde film
Conclusion : the transformation of the studio system.