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From Clorindy to Carnegie Hall : the Harlem entertainment community
Jazz rhapsodies in black and white : James P. Johnson's Yamekraw
"The blues get glorified" : Harlem entertainment, Negro nuances, and black symphonic jazz
Ellingtonian extended composition and the symphonic jazz model
"Harlem love song" : the symphonic aspirations of James P. Johnson, 1930-1945
"Carnegie blues" and the symphonic Ellington
Conclusion : the legacy of Harlem's concert jazz.

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